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0 2031
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Aaaaeaiea

Ie aeey eiai ia nae?ao, /oi eoeueoo?a iaoaai iieieaiey – yoi
i?aaeaea anaai iocueaeueiay eoeueoo?a. Iocueaeueiua iineoaee (
i?iea?uaaoaeue, ?aaeei, iaaieoioii, ND-ieaea?, eiiiuethoa?) noaee
iauaaeinooiiuie e ethaua iiaoanoaa a iocueaeueiii ie?a
?ani?ino?aiythony /a?ac no?aiu e eiioeiaiou n ia?iiiie nei?inoueth.
Aianoa n iocueie ?ani?ino?aiyaony e eaeaieiaey yoie iocuee, a? ao?eaoou,
ii?aaeae?iiue noeeue aeecie.

Iaeiei ec ia?auo aii?inia, eioi?ua caaeatho iieiaeua ethaee i?e
ciaeiinoaa, yaeyaony: “ A eaeoth iocueo ou neooaaoue?”. Aeaenoaeoaeueii,
naiia oeie/iia ?acaeaeaiea aeey iaoaai iieieaiey – ?acaeaeaiea ii
iocueaeueiui i?eno?anoeyi. Iao aeaaec: “ Neaaee iia, /oi ou neooaaoue, e
y neaaeo, eoi ou! ”. Iieeiiieee ?aciuo noeeae iocuee /anoi i?inoi ia
auiinyo ae?oa ae?oaa, e aeaei aeaaea aeioiaeeo aei na?ue?ciuo eiioeeeoia
n ?oeii?eeeaaenoaii. A aieueoeinoaa naiai iaeiiaiu nae/an aeaeyony ia
aeaa a?oiiu: iieeiiieee ?ie iocuee (anao aeaeia) e iieeiiieee
oaoii-iocuee.

?ie- iocuea nouanoaoao oaea ioiineoaeueii aeaaii ( au? iie
iaia aue oyiii “ Iaca?ao”, “Aeii?n” e ae?.) e eiaao oaea aiaaooth
enoi?eth, a yoii niunea /anoue iaoaai iieieaiey, oaeaeathuayny ?ie
iocueie, i?iaeieaeaao o?aaeeoeee i?aaeuaeouaai iieieaiey. A aio
oaoii-iocuea ( iocuea n i?enoonoaeai eiaeono?eaeueiuo caoeia )
iiyaeeanue n?aaieoaeueii iaaeaaii e ?anoeaao eoeueoo?u, naycaiiie n yoie
iocueie, i?eo?eny eae ?ac ia iaoa iieieaiea, iiyoiio eiaiii oaoii-iocuea
e naycaiiua n iae yaeaiey a aeecie iaoaai iieieaiey e noaee oaiie iiaai
?aoa?aoa. Naiae oeaeueth y iinoaaeea nia?aoue naaaeaiey,
i?iaiaeece?iaaoue eo e ?anneacaoue i oie eoeueoo?a, i?eaa?aeaioeai
eioi?ie y yaeythnue.

ss ia/io n ?anneaca i a?oiia, eioi?ay ii?aaeaeeea oaoii-iocueo eae
iai?aaeaiea, a iioii ia?aeaeo e enoi?ee e ?acaeoeth nia?aiaiiuo noeeae
oaoii-iocuee. ss n/eoath, /oi iiiyoue yaeaiea i?iua, anee eco/eoue aai
enoi?eth.

Enoi?ey aicieeiiaaiey oaoii-iocuee

Eoae, ea?uea?a Kraftwerk – yoi enoi?ey i oii, eae yeaeo?iiiay
iocuea noaea iocueie nia?aiaiiinoe. Eiaiii ei oaeaeinue i?eaeoiaoue
iocueaeueiue ycue, ia eioi?ii iieoi?a aeanyoea eao nionoy caaiai?eea any
iii-eoeueoo?a.

Aiae ec iaoeiu

*oiau ii/oanoaiaaoue, a eaeie ianoaiiaea aeaaiou naeaeaee naie ia?aua
oaae, noieo aniiiieoue, /oi a eiioea oanoeaeanyouo iii-iocuea a Aa?iaiee
iaoiaeeeanue a aanueia iea/aaiii ninoiyiee, e aieueoeinoai a?oii
caieiaeinue ia?aiaaaieai eee i?inoi eniieiaieai aiaeeeneeo e
aia?eeaineeo oeoia. Iaeiaei oaeia iieiaeaiea ono?aeaaei, e n/anoueth, ia
anao. Ianeieueei iieiaeuo aunieieiauo aa?iaioeaa aniiiieee i o?aaeeoeeyo
e ei?iyo, e ia/aee aeaeaoue eneonnoai nianai nai?, iaeneiaeueii ia
iioiaeaa ia aiaeiycu/iua ia?acoeu, iniiaaiiia ia aa?iaineie o?aaeeoeee
aiaeeca e aa?anneaiie ?aoeaenee e iieiia ia/aeueiie e?iiee, aanueia
oianoiie a iiaaaeaeaiiie naa?oaea?aeaaa. Oae iiyaeeanue iiaay iaiaoeeay
aieia, iiaea?eaoay eeiaiaoia?aoo Aaiaea?na, Oa?oeiaa e Oannaeiaea?a, e
iieiinoueth eciaieaoay i?aaenoaaeaiey i iii-iocuea aeaaiaea?y Faust,
Can, Tangerine Dream e Kraftwerk. Ii/oe o anao o/anoieeia yoeo a?oii
auei eeanne/aneia iocueaeueiia ia?aciaaiea, e iie aeaeaee iocueo, ii
no?oeoo?a e caoeo niaa?oaiii ia iioiaeoth ia oo, eioi?ay caieiaea ia?aua
no?iee oeo-ia?aaeia – oioy e iioiaeoth ianoaie ia ?ie. Anei?a ei noaee
iiae?aaeaoue aeanyoee iaiaoeeeo a?oii, a a?eoaineay iocueaeueiay i?anna
ie?anoeea yoi aeaeaeaiea “e?aoo-?ieii”.

N?aaee iniiaiiieiaeieeia yoiai noeey Kraftwerk noiyee aeaeueoa anaai io
?iea e iaeneiaeueii aeecei e iaiaoeeiio aaaiaa?aeo. Aeinoaoi/ii
neacaoue, /oi iniiaaoaee a?oiiu, Oei?aai, Oiaeaea?-Yneaaai e ?aeueo
Othooa?, iiciaeiieeenue a 1969 aiaeo a aeaaeaiee eneonnoa
Aethnnaeueaei?oa, aaea o/eeenue a eiina?aaoi?ee. Iie ?aoeee ienaoue
nianoaaiioth iocueo aianoa e iacaaeenue Organisation.

Ia?aua aunooieaiey a?oiiu ioiineeenue nei?aa e eaoaai?ee aaaiaa?aeiuo
oyiiaieiaia, /ai e iocueaeueiui niauoeyi: iie ea?aee ia aa?ienaaeao e a
aaea?ayo, a n?aaee eo ciaeiiuo ooaeiaeieee i?aiaeaaeaee iaae
iocueaioaie. ?aeueo aiai?ee ia yoii ia?eiaea: “ O ian ia auei ieeaeie
no?aoaaee – iu i?inoi noaee aeaeaoue eiaeono?eaeueioth iocueo,
eniieuecoy an?, /aio aei yoiai iao/eeenue. Ie oiaaea, ie nae/an iu ia
caaeoiuaaeenue i eaeii-oi oai aoaeouai”.

?iee a a?oiia oiaaea ?ani?aaeaeyeenue neaaeothuei ia?acii: ?aeueo
ea?ae ia yeaeo?ii?aaia, a Oei?aai – ia ne?eiea e oeaeoa. I?eaeanea au?
o?ieo iocueaioia, iie ( /oi auei iaiaeeaeaiii aeey iaiaoeeie a?oiiu oiai
a?aiaie) iiaeienaee eiio?aeo ia auione aeenea n aiaeeeneie oe?iie RCA.
Ieanoeieo – iia iacuaaeanue Tone Float – iinoeaea noaeueaa aanueia
iacaaeaeiay – a Aiaeee a?oiio ieeoi ia ciae, a a Aa?iaiee iia ia auea
ia?aecaeaia e i?iaeaaaeanue eae “eiii?oiay”.

Iaeiaei aeey ?aeueoa e Oei?eaia oiaaea i?ienoiaeeee niauoey iaiiiai
aieaa aaaeiua – iie aeaeaee nooaeeth. O?oaeii iiaa?eoue, ii e nae/an,
nionoy aac iaeiai o?eaeoeaoue eao, iie ?aaioatho a oie aea naiie
oanoeaeanyoeiao?iaie eiiiaoa a oeaio?a Aethnnaeueaei?oa, iaaeaeaei io
aiecaea! Iie iacaaee a? “nooaeey Eeeia-Eeaia” e , ieeaea noaiu
caoeieciee?othuei iaoa?eaeii, ia/aee caienuaaoue eieeaeoeeth no?aiiuo e
iaiau/iuo caoeia. A?oea iie o?aieee ia noa?aieannaoao – iineaaeiai ienea
oiaaeaoiae iiaeu. Anei?a iie caienaee aoi?ie aeueaii, niaiea neeoeii
eioa?iaoeeiiaeueiia iacaaiea Organisation ia iaiaoeeia Kraftwerk (
“Yeaeo?inoaioeey”).

Aeueaii, oae aea iacuaaaoeeny Kraftwerk, i?iaeaaaeny iaieioi, e
a?oiia ia/aea aeaaaoue eiioea?ou a ?ie-eeoaao. Ia eo aoeoa iaiaaeaiiay
aeaaooea neaeaea ia ia?iiiii iieinaoii e?anii-aaeii noieaa,
?acaeaeythuai ?yaeu ia aaoino?aaeao – yiaeaia ia?auo aeaoo aeeneia.
Eaoii 1971 aiaea iie caienaee aoi?ie aeueaii, aanoeo?inoii iacaaiiue
Kraftwerk 2, ecaeaiiue ia Philips. Aeene yoio aue ia oieueei
iocueaeueiui i?iaeieaeaieai ia?aiai, ii aeaaea auoae n oie aea iaeiaeeie
– iiiaea aeoiaee, /oi yoi i?inoi aeiia/aoea oe?aaea ia?aiai aeueaiia.
Iiyoiio i?iaeaaaeny ii ooaea ia?aiai e ia aeioyioe e aei 50000
yecaiiey?ia. Naie aea o/anoieee a?oiiu aeieee ai an?i i?aaeaiaiioth
yiea?aoeeth ec Aa?iaiee, a ?acoeueoaoa eioi?ie a no?aia inoaeinue nianai
iaiiiai ethaeae, niiniaiuo ioeaieoue eo iocueo ii aeinoieinoao.

Ia?aua aeaa aeueaiia, e niaeaeaieth, aeiaieueii iaeiecaanoiu aeaaea
n?aaee oeaieoaeae a?oiiu ( aiciiaeii, iioiio, /oi eeoue iaaeaaii auee
ia?aecaeaiu ia CD aieueoei oe?aaeii), a aeaeue – yoi oaeeaeoaeueiua e
iaiau/iua yenia?eiaiou ni caoeii e ?eoie/aneeie no?oeoo?aie, ia iaiaa
eioa?aniua, /ai ethaie oi?ioee a?o-?ieiaue aeueaii ia/aea 70-o. ?aeueo e
Oei?eai i/aiue iiiai yenia?eiaioe?iaaee a yoi a?aiy ooiaie e caoeaie
eneonnoaaiiiai i?ienoiaeaeaiey, iaeeaaeuaay eo ia caiene aiaeiaiaiai
neioacaoi?a. Eiina?aaoi?neia ia?aciaaiea
e ooieaaocaiianeay oeiea, iiiiaaaoea ei a ia/aea, oaia?ue onooieee ianoi
iieneo oieeaeueiiai e iaiiaoi?eiiai caoea. “ Aei ii?aaeaeaiiiai iiiaioa
y o/eeny iocuea na?ueacii, – ?anneacuaaao Oei?eai, – a iioii iia aae?oa
noaei neo/ii. ss iiiye, eae ia?aie/aiu aiciiaeiinoe oeaeou e ia/ae
eneaoue /aai-oi iiaiai. Anei?a y eoiee iee?ioii, iioii oneeeoaeue n
eieiieaie, iioii neioacaoi?. A iioii y i?inoi aueeioe oeaeoo, e yoi auei
aiieia caeiiiia?ii”. Iiaia cao/aiea a?oiiu oi?ioi aeaiiino?e?oao o?ae
Klingklang ni aoi?iai aeenea, aaea oaii oaiu iinoiyiii eciaiyaony,
neaaeoy ca onei?aieyie e caiaaeeaieyie aeoa, aaia?e?oaiiai
ae?ai-iaoeiie, e nicaeaaay iuouaiea, /oi eiaiii aeo yaeyaony aeaaiie
iocueaeueiie oaiie anae naiiaaeoeaoeieiooiie eiiiiceoeee, aeey oiai
ia?eiaea yoi auei iii?inoo ?aaiethoeeae: iino?ieoue iocueo ia aeoa e
?enoiea oaea?iuo, aea e oiio aea yeaeo?iiiuo! Oae iiyaeeny eo oe?iaiiue
caoe.

Iaeiaei aeey caaiaaaiey iann iio?aaiaaeinue aeiaaaeoue e oe?iaiiiio
caoeo e i?inoui, ?eoie/iui e iaiiaaiii caiiieiathueiny iaeiaeeyi o?aoee
eiiiiiaio- ?aaeeeaeueii iiaue eieaeae. I?e/ai noaei ynii , /oi ?aeueoo e
Oei?eaio yoi oaeaeinue a aieueoae noaiaie , /ai, iiaeaeoe, anai
inoaeueiui iocueaioai caiiiai oa?a (eneeth/ay, auoue iiaeao, Iaeeea
Aeaeaeniia). Kraftwerk i?eoai?eeenue ?iaioaie…

Oaea ia o?aoueai aeueaiia Ralf And Florian ii?aaeaeeeenue
aaaeiaeoea yeaiaiou eo noeey , iiaeneacaaoea iai?aoeaaaoeeny nai niaie
eieaeae: iiaoi?ythueany neioacaoi?iua a?iaaeaeei , iicaieyaoea ?aeueoo
ea?aoue eo n ii?aaeaeaiiie aeieae aaoiiaoecia, e eniieueciaaiea
aieiaea?a- yeaeo?iiiiai ono?ienoaa, eneaaeathuaai ?a/ue e aeaeathuaai aa
eae au “iaoaie/aneie”, iicaieythuaai eciaieoue aa oiiaeueiinoue i?e
iiiiue eeaaeaoo?u neioacaoi?a. Aeaaiaea?y yoiio iocuea Kraftwerk
ianoaie noaea iaiiieiaoue noeaiu ec iao/iie oaioanoeee- oae iia cao/aoue
naoaeo?ae e oeeueio i eaeie-ieaoaeue ieaiaoa aoaeouaai, aaea aeanoue
caoaaoeee /aeiaaeiia?aciua iaoaieciu, ?acaeaeathuea naay eaaeie iocueie.
Iniciaa yoi, iocueaiou naeaeaee aua iaeei oaa: iie caeacaee aeey anao
/eaiia a?oiiu iaeeiaeiaua einothiu e naeaeaee iaeeiaeiaua i?e/anee-
i/aiue eeanne/aneea e aaniethoii iaioee/eiua ae?oa io ae?oaa. I?eia?ii
a yoi aea a?aiy a nooaeee Kling Klang aue onoaiiaeai ?aaeei ?aaiou , ia
iaiythueeny oaea aeaaaeoeaoue n eeoiei eao: iocueo caeanue ienaee
oanoue aeiae a iaaeaeth n iyoe aa/a?a aei /ano ii/e. A yoi aea a?aiy
ieii/aoaeueii ooaa?aeaeaaony ninoaa a?oiiu, i?aa?aoeaoaeny a eaa?oao,
eioi?ue inoaaony iaeciaiiui aieioue aei ia/aea 90-o aiaeia. Ia
iinoiyiioth ?aaioo auee acyou Ea?e Aa?oin e Aieueoaaia Oeth? , aei oiai
yieciaee/anee nio?oaeie/aaoea n ?aeueoii e Oei?eaiii. N yoiai iiiaioa
eioaeeaeooaeueiay i?ia?annea-?ie-a?oiia ec Aethnnaeueaei?oa ia/aea
i?aa?auaoueny a aeain-aeo-i?iaeo, ?aieenu eioi?iai nae/an caieiatho
ii/aoiua ianoa ia iieeao, iiaeaeoe, ethaie nooaeee ie?a.

Ei iaei auei i?inoie ecaanoiinoe: nai eieaeae Kraftwerk
i?aaeiieaaae iocueo eaeaaeueioth, niaa?oaiioth – ia i?inoi caienue iiauo
ieanoeiie, a caaeaiea no?aoaaee e noeey aeey anae oaioeaaaeueiie iocuee
eiiiuethoa?iie y?u. Eo aeueaiiu noaiiaeeenue eiioeaiooaeueiuie,
ia?auaynue e oaiai, aaeaeaaoiui no?aieoaeueii ?anoe?ythuaiony ie?o,
aaeaine?othuaio ia a?aie naiioie/oiaeaiey e iioa?yaoeony a eiiaaea?a
eiaeono?eaeueiiai i?iecaiaenoaa ethaeae, ia?anoaaoeo auoue
oiaeaeanoaaiiuie naaa: ca “Aaoiaaiii” neaaeiaae “O?ain-aa?iiaeneee
yeni?ann”, a ca “?aaeeiaeoeaiinoueth” – “*aeiaae – iaoeia”. Iaeiaei
Kraftwerk, aeinoieiua iineaaeiaaoaee iaiaoeeie aiaeeoe/aneie oeeinioee,
ia eiiiaioe?iaaee ie iaeii ec yoeo yaeaiee. Iai?ioea, e a iocueaeueiii
?yaeo, e a oaenoao iie iaeneiaeueii aano?aae?iaaeenue io yoie
?aaeueiinoe, inoaaaynue neiaii au ?iaioaie, iniauaiiuie
/oanoaeoaeueiaeoeie aeao/eeaie, e ne?oioe?cii o?ainee?othueie aeey anao
aeaeathueo eioi?iaoeeth ia ie?oaeathuai eo ie?a. Yoi ioiioaiea e
auaeaeyei eo a ia?aoth i/a?aaeue ec /enea iii-a?oii, iaiaaeeaiii aeaaay
iiiyoue, /oi caeanue ?a/ue eae?o i eaeii-oi iiaii aeai?a, aeey eioi?iai
au? aeaaea ia i?eaeoiaee oa?ieia….

Eiaiii a yoii ninoiyiee niciaiey iinoaiaiii i?aa?auathueany a
?iaioia ethaee caienaee ia?aue ec i?ineaaeaoeo eo aeeneia – Autobahn.
?aoeaicee e?eoeeia e iauaiu i?iaeaae aeueaiia iaiaaeeaiii oaaaeeee eo ,
/oi iie eca?aee aa?iia iai?aaeaiea: oaaeeee ia aeenea an?. Io
iaiaoeeiycu/iiai aieiaee?iaaiiiai aieina aei neioacaoi?iuo iannaaeae ia
caaeiai ieaia; io aani?aaeaeueiiai ieieiaeecia ( enoaoe, aaniethoii
aaeaeaaoii ia?aaeathuaai iuouaiea iiacaeee ii ianeii/aaiie aaoino?aaea,
aaea ie iaeei iao? ia ioee/ei io ae?oaiai, e eaaeaeue ec ieo eeoai
eaeeo-eeai eiaeeaeaeoaeueiuo i?eciaeia ) aei oieeaeueiie oai?/aneie
eiioeaioeee e iaee/ey naiaai eeoea. Iii?inoo aiai?y, eca?aiiue niinia
aicaeaenoaey ia aoaeeoi?eth ia/ae, iaeiiaoe, i?eiineoue ieiaeu:
Kraftwerk caiaoeee e ioeaieee ii aeinoieinoao. Oae ia/aeny ?anoeaao.

Ai?i/ai, aethnnaeueaei?oneea yenia?eiaiou ia iaia?aaaeenue
inoaiaaeeaaoueny ia aeinoeaiooii: oaea aiae nionoy auoiaeeo
oaioanoe/aneee aeueaii Radioactivity, eioi?ue ii iaeaioiee/aneiio
iaeiaeecio niiniaai aeaoue oi?o ii/oe ethaiio aeeneo oiai ia?eiaea.
Aeueaii i aa/iii ?aniaaea iaoa?ee, i ?aaeeiaieiao, i?iiecuaathueo
aaneiia/ii o?ainoi?ie?othueeny e i?e yoii oaeie iaeciaiiue ie?, e i
neaaeeii neiaa “II” – iaio?a, iano?aeaathuae niciaiea ia iiaoi?aiea
aaeeinoaaiiie aa/iie enoeiu, eioi?ay , eae ecaanoii, iaoue ethaiai
o/aiey – ie/aai iiaeiaiiai ieeoi au? ia caienuaae! Ieanoeieo, a ia/aea
eioi?ie i?aaeinoa?aaathua ieuae n/ao/ee Aaeaa?a, a caoai eiaeii Ii?ca a
naiia iiaeniciaiea neooaoaeth ieuaei K-R-A-F-T-W-E-R-K, ?aaee n ?oeaie.
A?oiia noaea ia oieueei iiioey?iie – iia ia?aoea a eaoaai?eth iiaeu, oie
naiie eciai/eaie noanoaioeee, eioi?ay aeeaea anaai naycaia n aa/iinoueth
( nianai eae ?aaeeiaeoeaiinoue ). Ca “?aaeeiaeoeaiinoueth” iineaaeiaae
Trans Europe Express – au? iaeei “e?aooaa?eianeee” road movie,
aaneiia/iia a naiae iaeciaiiinoe iooaoanoaea ii canouaoae a
ooaa?oianeie aa?iiiee Aa?iia. Oniao yoiai aeenea oaea ia aeieaeai aan
oaeeaeyoue – Kraftwerk iao/eeenue “iiiaaeaoue a aeeeo”, oioy i?i yoio
eieeaeoea ieeiaaea iaeuecy auei neacaoue, /oi ii iiaeno?aeaaaony iiae
aeonu aoaeeoi?ee – ii anaaaea oi?ie?iaae eo. Ii aeaaea ia yoii oiia
onoaiiaeaoaainy e noaaeeueiiai aaee/ey ( e, ?acoiaaony noaoona ei?eoaaa
e iao?ia aeai?a) auaeaeyaony neaaeothuee aeueaii.

Kraftwerk iacaaee aai The Man Machine, iaiiiiea i nai?i nioeeaeueiii
noaoona ethaeae – ?iaioia, ianeoaeeaathueo iaoaieci iauanoaaiiiai
iio?aaeaiey iocuee. Ia iaeiaeea aeueaiia, ioi?ieaiiiai a noeea
eiino?oeoeaecia ( ionueathuaai e aeaaaeoeaoui aiaeai a Niaaoneie ?innee
– ?aaioai ?iae/aiei/Iayeianeiai e ooiie/aneie ia/oa i anaiauae
iaoaiecaoeee) ii-?onnee iaienaiu neiaa, ii-?onnee aea canyiiee?iaaiiua a
caaeaaiie aaue: “ss oaie neoaa. ss oaie ?aaioiee”. O?aca ieacaeanue
i?i?i/aneie, ii ia aac aeaoniuneaiiinoe: neoae e ?aaioieee iio?aaeoaey,
Kraftwerk, aeaeaaynue ii iai?aaeaieth e oioaeueiie aacee/iinoe,
noaiaea?oece?oy aeaaea iaeee iocueaioa, noaee ( ia iiaithnue yoiai
ii?aaeaeaiey ) naiie “eiaeeaeaeoaeece?iaaiiie” a?oiiie naiaai a?aiaie,
ia?aoy a iieneao eaeaioe/iinoe n eiaeono?eaeueiie n?aaeie iaiiaoi?eiia
nianoaaiiia eeoei….

A 1986 aiaeo a?oiia auioneaao iineaaeiee ia naaiaeiyoiee iiiaio
nooaeeeiue aeueaii – Electric Cafe, ia noieue iaeaioiee/iue, neieue
i?aaeuaeouea, e ii?aaeathuee /enoioie e ecyuanoaii caoea ii n?aaiaieth n
oaea iiyaeaoeieny aiieiaaoaie: Kraftwerk niiaa aeaee iiiyoue anai, eoi
ca iyoue eao ia/ae niiiaaaoueny, /oi anoue ea?a?oey a ie?a
oaioeaaaeueiie e yeaeo?iiiie iocuee. New Musical Express
ioa?aeoa?eciaaee iiaue aeene oae: “Aaaia? neaeeo a caea iaeeaeaiey
ay?iii?oa e iuoaaony aucaaoue ii iiaeeueiiio oaeaoiio iineeueueea”. Yoi
aue iiyoue eaeie-oi iiaue noaiaea?o, iiaue ycue yiioeee, aaea iaoaoi?ie
iaeaioieee noaiiaeeanue o?aca ec ianie: “ ss oaeaeyth oaaa a?aiy e
aieiaiea / iuoaynue niaaeeieoueny ii oaeaoiio”, a aianoi i?eiaaa
neooaoaey aeiiioece?iaae caeieueoeiaaiiue iaoaie/aneee aiein: “ Iiia?,
iaa?aiiue aaie, a?aiaiii ioeeth/ai”.

A iioii aue The Mix – iineaaeiyy iiaaaea nooaeee Kling Klang iaae
?uieii iii-iocuee. Yoio 70-ieiooiue aeueaii ?aieenia ia oieueei
ieii/aoaeueii i?aa?aoee Trans-Europe Express, Pocket Calculator e
Computer Love a eioa?iaoeeiiaeueiua oaioeaaaeueiua oeou, ii au? e
iicaieee a?oiia ioaeaoue aeieaeiia n?aco ianeieueeei iiaiiiaeiui
iauanoaaiiui aeaeaeaieyi: can/ao oiai, /oi oaenou ianai o Kraftwerk
anaaaea ea?aee aoi?oth ?ieue, eo iiaeii auei ianeieueei eciaieoue – e a
eiiiiceoeee Radioactivity iiyaeyaony oiiieiaiea ai?iaeea Chernobyl. Iie
i?iaeaiiino?e?iaaee ia oieueei oio oaeo, /oi niune eiiiiceoeee iiaeii
eciaieoue iooai caiaiu ianeieueeeo nyiieia, ii e oi, /oi ooieoeey
nyiiea, “ caeieueoeiaaiiiai” ia?acea ?a/aaie eee iocueaeueiie o?acu a
nia?aiaiiie eoeueoo?a iaecia?eii aaaeiaa, /ai niune eiiiiceoeee……

Iioii iie caiie/aee: aiciiaeii, /ai ou noa?oa, oai o?oaeiaa
iiaeaea?aeeaaoue eaeaioe/iinoue naiei naaa, iniaaiii, anee ou ia/ae
ea?aoue iocueo, ?anoe?aaee?iaaiioth e iiaoi?aiioth aiineaaenoaee
ieeeeiiaie oiaeuo iineaaeiaaoaeae…. Oae eee eia/a ia ?oaaaea
aeaayiinouo yoi i?eaaei e i?aa?auaieth eaa?oaoa a aeoyo.

Ii Kraftwerk ia ?aniaeny: oioy Aa?oin e Oeth? ooee ec a?oiiu,
iaeiaei i?eaeiaeueiue aeoyo ?aeueoa Othooa?a e Oei?eaia Oiaeaea?a
inoaeny, e iineaaeiea aeaia ?aaioatho n ?acee/iuie ninoaaaie
i?eaeaoaiiuo iocueaioia ( iiaeaeoe, iie iiaoo naaa yoi iicaieeoue) .
Kraftwerk ianoieueei aaeeee, /oi eo aeaaea ia caauee, i?e oii, /oi n
1991 aiaea ia auoiaeeei ie iaeiiai ?aeeca a?oiiu, a iiauo ianai ia auei
aae n 1986-ai. Ethaay ae?oaay iii-a?oiia, iniaeeaoayny iiaanoe naay
iiaeiaiui ia?acii, anei?a ooea au a iaauoea, ec?aaeea iaiiieiay i nai?i
iaeiaaea neaaiii i?ioeii o?eauethoaie e nai?ieeaie greatest hits.
Iaeiaei n Kraftwerk an? i?ienoiaeeo nianai eia/a: iie nei?aa iaiiieiatho
iaeeo ao?o yeaeo?iiiie iocuee, auoaaeoeo ca aeaa?e o?aia eeoue aeey
oiai, /oiau caaaaeaoue i/a?aaeioth caaaaeeo ii?aaeaiiui o/aieeai. Neooe
i iiaii aeueaiia ia/aee iiyaeyoueny au? a eiioea 80-o, o/anoeeenue iinea
auoiaea aeueaiia The Mix, e n iiaie neeie ionne?othony oaia?ue aaeaioaie
oaoii-noeaiu. Aeaeaaoea aeaeu oaiaou a?oiiu iau/ii ioaa/atho ia yoi oae:
“ An? yoi i/aiue eioa?anii, ii nai y iiaa?th, eiaaea iiaea?aeo yoo
ieanoeieo a ?oeao!”. Iaeiaei 24 iay yoiai aiaea i?iecioei niauoea,
aneieuoioaoaa aanue iocueaeueiue ie? ( ai?i/ai, a oiaiee aeaeaoue yoi
Kraftwerk ieeiaaea iaeuecy auei ioeacaoue ) e iieieaaaaoaa niiiaiey
aeaaea naiuo neaioe/iuo oyiia. Kraftwerk aunooieee a Aiaeee “aeeaue?i”
ia oaoii-oanoeaaea Tribal Gathering 97! Iaei oiai – iie nua?aee
ianeieueei iiauo eiiiiceoeee, ec /aai aac o?oaea iiaeii caeeth/eoue, /oi
iiaue iaoa?eae an?-oaee nouanoaoao, e, aiciiaeii, eiaaea-ieaoaeue
aueaeao a aeaea aeueaiia. A iiea /oi, ii iaeioi?ui naaaeaieyi, 50-eaoiea
iocueaiou caienaee aeaeeioaeo caoeia aeey iiaie na?ee neioacaoi?ia
Quasar Quasimidi, a aiae iacaae Oei?eai Oiaeaea? ia?aaeae iaiaoeeiio
aeo?iaeo Keys i?iiouaiioth /a?ac aieiaea? caienue iiyiu, iinayuaiiie
ae?oaiio ethaeiiio eino?oiaioo – neioacaoi?o Doepfer A-100.

“ Iaoaie/aneay anaeaiiay Kraftwerk iiiaie?aoii eeiie?iaaeanue e
eiie?iaaeanue a Aeao?ieoa, A?thnnaea, Ieeaia, Iai/anoa?a, e, iaeiiaoe,
ineoiaeaeece?iaaeanue a aaeie ai?y/ea oaon-eoeueoo?u, – aiai?eo a iaeiii
ec iineaaeieo eioa?aueth ?aeueo Othooa?.- Ian iiaeii ii?aaeaeyoue eae
oaiaeii: iao/ii-oaioanoe/aneay iocuea, oaoii-aeenei, eeaa?iaoe/aneee
?ie, ii y anaaaea i?aaeii/eoae oa?iei “?iaio-iii”. Ii a iaeaieueoae
noaiaie io?aaeaao iaoo caaea/o – ?aaioaoue iaae eiino?oe?iaaieai
niaa?oaiiie iii-iocuee aeey ieai?i, ianaeythueo aea?aaith ii

eiaie Caiey”.

?acaaoaeaiea noeeae

Oaoii, ecia?ao?iiia Kraftwerk, yaeeinue iiuiie aacie aeey
?iaeaeaiey iiauo noeeae, nicaeaaaaoeony iooai neeyiey iiiai n yeaiaioaie
ethaiai ae?oaiai. Oae, iai?eia?, iiyaeeinue Oaoii-Aeenei – auno?ue e
aanueia yeni?anneaiue noeeue, niaea?aeauee a naaa e?aneaoth ?eoie/aneoth
iniiao e i/aiue neeueii ia?aeeeeathueeny n Oaoii-Aeain ( iniiaiia
?acee/ea yoeo noeeae a ionoonoaee ?a/eoaoeaa o Oaoii-Aeenei). Ia?ac/eee:
Double You, Haddaway, Corona e ae?.

Oae aea ia?aciaaeny e Oaoii-?yi. 100% neioace?iaaiiue caoe,
oeie/iue ?yiiaue ?a/eoaoea, ?acia?aiiue ?eoi e i?aaaee?iaaiea ieceeo
/anoio – aio oi, /oi yaeyaony ninoaaeythueie aeaiiiai noeey ( y?/aeoee
i?eia? – ?aiiea aeueaiiu Snap). Iaeaieaa ?ani?ino?ai?iiui e iaeaieaa
eiiia?/aneei noeeai noae aacaeanouee Oaoii-Aeain, aieia eioi?iai
caoeanoioea ?inneyi i?eia?ii a 1993 aiaeo. Aai aiaoiea aeaiiua i/aiue
i?inou: e?aneaay oaioeaaaeueiay eiiiiceoeey n aeaineeie iiaeiaaeaie e
auno?ui, eiiaaea ia?aaeueiui ii nei?inoe aini?iecaaaeaiey neia ioaeneei
?a/eoaoeaii. Iau/ii oaeea i?iaeou ninoiyo ec aeaoo /aeiaae: MAXX,
Culture Beat, E-Rotic e ae?. Iiiaea ec yoeo eieeaeoeaia yaeythony
i?iaeoaie-“iaeiiaeiaaeaie”, ii ano?a/athony i?yii-oaee “aeieaiaeeoaee”:
2 Unlimited (4 aeueaiia), E-Rotic (3 aeueaiia) e ae?.

Iaeei i?eciae, iaeiicia/ii iieacuaathuee eiiia?/aneoth
iai?aaeaiiinoue yoiai noeey – aai eiiuetheoo?iinoue. Iai?eia?, 2
Unlimited, auionoea a 1991 aiaeo naie ia?aue neiae “Get Ready”, noae
iooeii iaaieueoiai ia?aoiaeiiai noeey Nioo-Oaoii (aieaa oaioeaaaeueiay
noi?iia /enoiai oaoii). Aoi?ie eo aeueaii aue oaea ia?aoiaeiui aa?eaioii
io Nioo-Oaoii e Oaoii-Aeain, o?aoee – /enoue Oaoii-Aeain, a a /aoa??oii
oaea iiyaeythony yeaiaiou House, i eioi?ii y ?anneaaeo iicaea. Oi aea
naiia i?ienoiaeeo e n ae?oaeie a?oiiaie Oaoii-Aeain, iuoathueieny
auaeeoue a iaiythuainy ie?a.

Oaeaea iaaieueoei, ii i?eaeiaeueiui iooiaeii io Oaoii-Aeain yaeythony
iiiuoee niaianoeoue yeaiaiou oieueeei?iie eee yoie/aneie iocuee n
yeaiaioaie Oaoii, a ?acoeueoaoa /aai iiyaeythony aeiaieueii caaaaiua
i?iaeou: Rednex , Two Cowboys e ae?., eioi?ua i?aaenoaaeytho au? iaeei
noeeue – Oaoii-Eaio?e. A a?oiiu Doop, Ritz, Free Soda Inc. Oai?yo a ia
iaiaa aan?eii noeea – Oaoii-Aeaeac.

Ii ana yoe iaaieueoea noeee ia aeaeatho iiaiaeu a aeaiiue iiiaio ia
oaioeiiea.

Aieiaiea! Nae/an aoaeao enoi?ey, ?acaeoea e ao?eaoou naiuo iiaeiuo ia
aeaiiue iiiaio noeeae oaoii-iocuee, yaeythueony iniiaie iocueaeueiie
eoeueoo?u Iieieaiey O.

Eiaaea ec aeecie ooiaeyo Aa?a, Iaaeaaeaea, Ethaiaue, aaeeinoaaiiui
i?enoaieuai noaiiaeony aiaeaa?aoiae.

Mad Mike «Underground Resistance»

E?aoeee eo?n enoi?ee House

Oa?iei « House music » i?iecioae io iacaaiey /eeaaneiai eeoaa «
The WareHouse» , a eioi?ii yoa iocuea e aicieeea. A 1977-1983a.
i?aceaeaioii « WareHouse» aue DJ Frankie Knuckles, eioi?ue ea?ae nianue
aiaea?a?aoiaeiiai aeenei, o?aie e nioe aeey i?aeiouanoaaiii /??iuo,
aiiinaenoaeueii i?eaioe?iaaiiuo iinaoeoaeae. *oiau oneeeoue
oaioeaaaeueiue yooaeo iocuee, ii eniieueciaae ae?ai-iaoeieo Roland 909,
cao/auoth aianoa n caienueth ia ieanoeiea e iiae/??eeaathuoth ?eoi.
Ae?oaei yooaeoiui i?e?iii auei niaoeaaiea i?e iiiiue iau/iiai
iiiaieaiaeueiiai iaaieoioiia eiiiiceoeee n neioace?iaaiiui ?eoiii oae,
/oiau iie iacaiaoii aeey ooa ia?aoiaeeee iaeia a ae?oaoth.

Frankie Knuckles caeiaeee ooiaeaiaio House , ii aieueoaai oniaoa
aeiaeeny ae?oaie DJ oiai aea eeoaa, Ron Harby, ea?aaoee a aieaa a?oaii e
ae?noeii noeea, eioi?ue i?aaeeny iiiaei iinaoeoaeyi, ca/anoeaoei a «
WareHouse».

Iocuea House aeinoeaea A?eoaineeo aa?aaia a 1986 aiaeo, eiaaea
eiiiiceoeey «Move Your Body», iaienaiiay Marshall Jefferson, noaea
caiieiyoue caiaoioth /anoue yoe?a noiee/iuo «ie?aoneeo» ?aaeeinoaioeee.
Yoio o?ae anei?a noae eniieiyoueny e a iaeioi?uo eiiaeiineeo eeoaao oeia
«Delirium», iiaeaea?aeaaoeo House. Ianooieaiea iiaie iocuee ia
Niaaeei?iiia Ei?ieaanoai ?anoe?eeinue aeaaiaea?y i?eacaeai /eeaaneeo DJ
International e Trax e auioneo aeueaiiia n eiiieeyoeeyie House iocuee,
oaeeie, eae na?ey «Jack Trax». Ia?aui aiaeeeneei oeoii a noeea House
noaea naeaeaiiay Farley Funk ia?aaioea noa?ie ianie Isaac Hayes «Love
Can’t Turn Around». A naioya?a 1986 yoa eiiiiceoeey aeinoeaea aeanyoie
iiceoeee a aiaeeeneeo /a?oao, inoaaea iooeia-iniiaaoaeae a *eeaai a
iieiii iaaeioiaiee io oiai oaeoa, /oi eo iocuea niiniaia noaoue
iii-oeoii a Aiaeee. *a?ac /aou?a ianyoea «Jack Your Body», caienaiiay JM
Silk, noaea iiia?ii 1 a oeo-ia?aaeao, e ai?y/ea «Jack» (oae iacuaaeanue
iaia?a oaioea iiae iocueo House ) oaea iuouaeanue iianthaeo.

Anei?a noaea ?acaeaaoueny i?aeoeea i?aaiecaoeee iaeaaaeueiuo
aiaeaa?aoiaeiuo aa/a?eiie, aucaaiiay ae?aeiiianeeie caeiiaie a iaeanoe
eeoeaice?iaaiey, oi/iaa iai?eyoiie iaiaoiaeeiinoueth iieo/eoue
niaoeeaeueioth eeoeaiceth aeey noieue iicaeieo oaioeaa e oi?aiaee
nie?oiui. Eaeay iiaeiaiuo aa/a?eiie ninoiyea a oii, /oi i?aaiecaoi?u
onoaiaaeeaaee caoeiaoth (eiiaaea e naaoiaoth) aiia?aoo?o a a?aiaeiaaiiii
iaeniieuecoaiii caeaiee, a au i?inoi ieaoeee ia aoiaea e iiaee
aanaeeoueny anth ii/ue. House eaeaaeueii iiaeoiaeee aeey oaeeo
ia?ii?eyoee, e eo iiioey?iinoue auno?i ?inea.

Iiioey?iaeoea iuia oa/aiey a oaoii-iocuea

Detroit House

Aeao?ieo. ?iaeaeaiea iocuee oaoii niaiaei n aeoaieei oiaaeeii
aaoiiiaeeueiie i?iiuoeaiiinoe Aia?eee – eae neiaiee/aneia ciaiaiea
iinoeiaeono?eaeueiiai ?aiannaina. Iiyaeaiea oaoii iieiaeeei eiiaoe
noeeenoe/aneiio aeaeaieth iocuee ia iai?aaeaiey. Ioiuia aa?iiiey,
aeenaa?iiiey, ooi, ianiy – an? aiciiaeii. Auae?aeoa, /oi aai ii aeooa –
oieueei canoaaueoa ethaeae oaioeaaaoue. E ia caaoaeueoa naa?eoue
i?eaioe?u n aeao?ieoneei iiaeiieueai – eia/a au ia
aa?aioe?iaaiu io aaneiia/iiai ecia?aoaiey aaeineiaaea.

Naiia noa?ia e o?aaeeoeeiiiia oa/aiea. Yoo iocueo ea?aee a eeoaao *eeaai
e Aeao?ieoa au? a eiioea 70-o e, oioy n oao ii? iia caiaoii eciaieeanue,
ciaiaieoia aeao?ieoneia cao/aiea ie n /ai ia niooaaoue. Iyaeee e /enoue
House ?eoi, ii/oe ia eneaae?iiue yeaeo?iieeie aieae a noeea nioe e
oi?oaieaiiua eeiee ca?yaeaee aa/a?eiee, ia eioi?uo ea?aee Detroit
House, ia?iiiie yia?aeae.

Deep House

Ai iiiaii iioiaeee ia eeanne/aneee Detroit, Deep i?aaenoaaeyao niaie
i?e/oaeeeaoth nianue House-iocuee n aieaeii ainiae. Eae ooaa?aeaeatho
aai iieeiiieee, Deep House – yoi i?ioeaiiieiaeiinoue anaio inoaeueiiio
oaoii, iocuea aeeauo ethaeae, a ia iaoei.

Trance

Iocuea iaioaeueiiai iooaoanoaey. ?eoiu, eniieuecoaiua a Trance,
cia/eoaeueii i?iua, /ai a Breakbeat eee Jungle, e «ie?iee» iiiioiiiuo e
i?ic?a/iuo neioace?iaaiiuo caoeia no?oiiuo caaa?oatho iuouaiea
ia?aoiaea a ae?oaea i?ino?ainoaa. Eiaao ia?iiiia eiee/anoai
?aciiia?aciuo iai?aaeaiee: Acid Trance, Goa Trance, Hard Trance e
ae?. Anee yoo iocueo neooaoue a iaoeia, oi ia/eiaao eacaoueny, /oi
nei?inoue iaiiiai iaiueoa, /ai aeieaeia auoue, oae /oi ia
oaeaeaeoanue neeoeii neeueii.

Breakbeat

Ianiio?y ia naie «/??iua» ei?ie, e ia/aeo 90-o House iocuea
?eoie/anee i/aiue oi?inoeeanue e iioa?yea ecia/aeueioth yia?aaoeeo
iaa?eoyineiai aaooi. Eiaiii oiaaea iiyaeeny Breakbeat, a eioi?ii
eniieueciaaeinue cao/aiea oei-oii, ?aaae, ?aaea ?aaa. Iaeaieaa y?eea
aa?eaiou Breakbeat – yoi Jungle e Darkside. Iocuea Jungle ianuuaia
yeaiaioaie ?aaae e aieaa iiaeaeaeia, a oi a?aiy eae a Darkside
nicaea?ony nei?aa ieii?iue iano?ie, oneeeaaaiue aeooeiaaouie
«einie/aneeie» caoeaie e nyiieaie aeaineeo aieinia.

Tribal

Tribal iniaaiii eioa?anai oai, /oi a i?i eniieuecothony caoee e
?eoiu ?aeeaeiciuo oea?aiiiee naaa?iaia?eeaineeo eiaeaeoeaa, yneeiinia e
ia?iaeia naaa?a Neae?e. Oaeia «iaaaaeaiea iinoia» iaaeaeo iau/ayie
ae?aaieo ieai?i e nia?aiaiiie ?yea-eoeueoo?ie auaeyaeeo eiiaaea
ianeieueei eneonnoaaiiie, ii a oeaeii ieieiaeenoe/iay Tribal iocuea
iaeaaeaao naiei ianiiiaiiui i/a?iaaieai.

Hardcore

Hardcore – yoi i/aiue i?inoi. Aa??i iau/iue oaoii-?eoi, aeaeaai aai
?aca a aeaa auno?aa, iaeeaaeuaaai ethaua io?uaenoua caoee, e?eee e
onei?aiiue a 2-3 ?aca aeaineee aieae. Anee aicieeiao iuouaiea ?aaiou
ioaieiiai iieioea – oi an? a ii?yaeea. I/a?aaeiie oeo aioia.

Acid House

Acid a ia?aaiaea n aiaeeeneiai – eeneioa, a eeneioa, eae ecaanoii,
aauue aaeeay – aaea ?aeaa/eio inoaaeo, a aaea e aeu?eo, eee aiiaua
?anoai?eo an? aac inoaoea. I?eia?ii oae aeaenoaoao iocuea Acid House,
aeaaiaea?y naiei oe?iaiiui «eeneui» caoeai. Iienaoue eo neiaaie ii/oe
iaaiciiaeii, eo/oa iaeei ?ac iineooaoue ethaoth eiiiiceoeeth n iiiaoeie
«Acid Mix», e an? n?aco noaiao iiiyoii. Enoaoe, eiaiii iocueaiou,
?aaioathuea a noeea Acid House, noaee oe?iei eniieueciaaoue a naieo
o?yeao caoee, iicaeinoaiaaiiua ec ae?oaeo eiiiiceoeee, caionoea oeaeoth
aieio ia?aaioee /aai oaiaeii a Acid cao/aiee.

Progressive

Enoiaeii yoi neiai, i?eaeoiaiiia iocueaeueiui aeo?iaeii, iaicia/aei
iai?aaeaiea oaoii-iocuee, a eioi?ii iniiaiie aeoeaio noaaeeny ia ia
oiaeii nyiiee?iaaiee e neioacaoi?iuo «iaoeyo», a ia oi/iii eiie?iaaiee
ianoiyueo eino?oiaioia e iienea oaea/iuo ei?ioeeo iaeiaeee.

Ai?i/ai, noeeue oae e ia ioi?ieeny, e oa?aeoa?enoeea Progressive
oaia?ue ii/oe ie/aai ia icia/aao, oioy oiio?aaeyaony aeiaieueii /anoi:
ana aiaea?a?aoiaeiua oaoiiiocueaiou n/eoatho naith i?iaeoeoeeth
«i?ia?anneaiie» .

Ambient

Iaeaieaa oaea/ioth oa?aeoa?enoeeo Ambient aeae aeo?iae «Ioth/»,
n?aaiea yoio noeeue n iocueie, eioi?oth ea?atho a «IaeAeiiaeaen».
Aeaenoaeoaeueii, ieeaeiai ae?noeiai ?eoia, aa?anneaii cao/aueo nyiieia,
ie/aai, ia?ooathuaai ii/oe einie/aneia niieienoaea. Yoa iocuea nei?aa
aeey ooae, /ai aeey iia.

Techno Rave

N yoei noeeai, aa?iyoii, au oaea aiieia ciaeiiu: ii/oe ana
eiiia?/aneea oaoii-i?iaeou, oeia 2Unlimited eee Scooter, iiioey?iua a
?innee, yoi eiaiii Techno Rave. Noeeue aeiaieueii iaeo?aeai, i?ino e ia
?acae?aaeaao neoo e aieiao.

Intelligent

Iocuea n oaeie oa?aeoa?enoeeie iiaeoiaeeo nei?aa aeey
i?ineooeaaiey, /ai aeey eniieiaiey ia aa/a?eieao, oioy ca/anooth
eniieuecoao iaoiaeee /enoi oaioeaaaeueiuo iai?aaeaiee.

Aeoaaeo iieieaiey O

Iu ooo iiiai ienaee i ?yeaa, iieiae?aeiuo noeeyo, i nethieiooiii e
nei?ioa/iii, eae anyeay iiaea. Caaua oiiiyiooue i aeaaiii: ii/iua ieynee
e oethii?anoeaioiua iaeaaeaeu, ae?ooaeueiay ethaiaue e eiiiuethoa?iua
caaaau anaoeaei i?eiaaeeaaeao iieieaieth O.

Oa?iei «iieieaiea O» ?iaeeeny a oia Aeoaeana Eioieaiaea, iaienaaoaai
eieaeeo n aiaeiae/iui iacaaieai. A iae ?anneacuaaeinue i o??o
aoonaeaea?ao, eioi?ua ooee io ie?a aeaiaa e iaaeeau, aeeee e?aeia
aaaeii, ii /anoii, ia?aeeaeueii caieiaynue naiiaiaeecii e iniuneaieai
auoey. Eieaa auoea a 1991 aiaeo e anei?a iann iaaeea iiaeoaaoeee ieo
iieieaiey O. Ia eeniaeeao aiai?eee eae i iiauo oeiie eee iaieao, ii yoi
iiiyoea oe?a. Iii aeeth/aao a naay iiiaeanoai iai?aaeaiee, eiay eeoue
iaeii ia?aie/aiea: eeniaeeii iiaeao n/eoaoueny oio, eoi yaeeny ia naao a
eiioea naieaeanyouo.

I?aaenoaaeoaeue iieieaiey O aac?acee/ai e aeaiueaai. Ii ia aeaeaao
ea?aoue ai ac?ineua a?yciua ea?u. I?aaeaea anaai ii oi/ao ?acia?aoueny a
naaa e ia iaia?ai ?aoaoue i?iaeaiu, iaaycaiiua iauanoaii. Aiaoia aio
iaieioi aeea?ony: iiaeii aoeyoue, oiaeeoue ia eiioea?ou, naiiio
aeaeaoue iocueo eee i?eaeoiuaaoue iaeaaeaeo. Anai yoei caieiaaony
eeniaee, ii ia aeooa o iaai oyaeei. Ii ia/oaao ia ene?aiiinoe. NIEAe
eineo ethaaaiaeeueiuo iai?aai e iaeaai, iiyoiio iieieaiea O
i?aaeii/eoaao aeieain?i/iua nithcu. Aac ?acieoeu, eaeiai iiea oaie
ia?oi??, eeoue au ethaiaue e iiieiaiea, eeoue au iaanaaaea. Iaanaaaea
iieo/aaony ?aaeei: eeniaeee ia aiaaeu. Iaae ieie aeiaeaao i?eioeei
naii?ac?ooaiey. Ia?eioeee, ii/iua aaeaiey, ?ene, ioi?aaiiinoue io
iauanoaa, aaea aa?aioe?iaaia ioiineoaeueiay aaciianiinoue, – an? yoi
aeaeaao aeeciue eeniaeeia e eo naieo iaauiineiuie. Yoo
«iai?aaeeueiinoue», naienoaaiioth anaio iieieaieth, ineoieiae iauyniytho
oai, /oi naaiaeiyoiea eeniaeee – aeaoe a/a?aoieo oeiie, ai?oeia n
ainoaea?noaaiiie einiinoueth. *oi i?yii n iieieii iaoa?e iie aini?eiyee
iaeee ?aciuoue i?ioano, au?aaeathueeny a aeo?iii i?aaa e iaoe?ioeiie
ia/oaoaeueiinoe. Au? eeniaeeia iacuaatho «iono?aioouie». Io/anoe ec-ca
iaa?aaeiinoe a iaeaaeaea e iiaaaeaiee, io/anoe ec-ca ionoonoaothuaai
acaeyaea e ioaaoia iaaiiiaae. Eeniaee – ii aeecie aeaia/iee. Ieeoi ia
iiaeao canoaaeoue aai anoaoue a no?ie e ?ann/eoaoueny ia ia?aue-aoi?ie.
A ie?a iieieaiey O iao aoi?uo. Anoue oieueei ia?aua.

Enoi?ey O

Eiia/ii, iono?aiooua auee anaaaea. A 50-o aiaeao aeaee aea?o aeoieee,
a 60-o ieynaee-iaee oeiie, a 70-o oa?thieeenue iaiee. Ii ana iie auee
eeanneoeoee?iaaiu iicaea. Eae enoi?e/aneea yaeaiey. Iieieaieth O
«iiaacei»: aai caeeaeieee a naiii ia/aea iooe.

Aaoae O

A?aiaeae. Noeeue iocuee e iiaaaeaiey, ?anoeaaoaaoee a ia/aea 90-o a
Neyoea. Aiaoia i?iyaeyeny a iaoieiae/aneie iaa?aaeiinoe, naienoaaiiie
iaeoaoaeyi nooaeai/aneeo iauaaeeoee. Ae?aiua aeaeeinu-eeao, ?anoyiooua
oyieiaoyaaneea naeoa?u aieueoeo ?acia?ia, aeeeiiua neeioeany aieinu,
eiceeiay ai?iaeea, oyaeaeua aiaiiua eee oo?enoe/aneea aioeiee,
oaooe?iaee e ie?neia (i?ieaeuaaiea oaea). A iocuea a?aiaeae aeaaae naay
ciaoue iooiui aeoaeaeaieai, neeueii iiethaeaoeiny ?inneeneie iieiae?aee.

Yeneae-oaon, ia?ii ia?aoiaeyuee a ?yea. Aeey ia?aiai oa?aeoa?iu y?eea
oeaaoa, ia?eee, ieaooi?iu e iaeeii. Aeey aoi?iai – ieanoee e aeiee, eae
eo/oea iaoa?eaeu aeey aeaeeinia e eo?oie, eiio?anoiua iieinee ii oaai,
oe?iu «Aaeeaean» e «Aeecaeue». Iocuea e noeeue iiaaaeaiey auee iienaiu
auoa.

Iaie ianooiaao caeanue e nae/an. Iaeaaeaea noaeaaony e /a?iaao, a
iaeoiae aoiaeeo eiaea, iaeeyae noaiiaeony onoaeui e ceiaauei. Ii yoio
aeoie iaiea ( a ioee/ea io 70-o) ia ana?ue?c. Ea?a ia?acaie
i?iaeieaeaaony. Iiiaioaeueiua nea/ee iiaeu a naeaoii aeaea iiaoi?ytho
i?ieaeaiiua yoaiu eoeueoo?u OO aaea. Iieieaiea O – ooaeini/iua aeaoe
aeaeaaeaina, ?aaoey?ii neo/aaoaainy ia eceiia noieaoee.

Aieacie O

Aeaaiie aieaciueth iieieaiey O iiaeii iacaaoue naii?ac?ooaiea (aeeoue
auno?i, oia?aoue iieiaeui), eioi?ia eiaao aeaa iaee/uey.

Aa?iei, naienoaaiiue eoeueoo?a iaiea. Ii auno?i e aieaciaiii ?ac?ooaao
i?aaieci. I?eaueaiea ianoieueei aaeeei, /oi oia?aoue eaa/a, /ai
ninei/eoue. Eaeaieiaey iaiea aeeth/aao i?aiaa?aaeeoaeueiia ioiioaiea e
naiaio oaeo. Iaieia iiaeii iacaaoue enoa?e/aneeie aoaenoaie, iie
iinueatho aiaa ia o?e aoeau e aioiau oioue caao?a ioi?aaeoueny a aae.

Ineaeiee/aneea i?aia?aou iiaeoa/eaatho i?aaieci iacaiaoii. ?ac?ooaiea
i?ienoiaeeo iaaeeaiii, eniiaeaieue. Nia/aea aaeao «e?uoa». Aeiaaiie nii,
ii/iua aaeaiey i?eaiaeyo e no?aiiiio acaeyaeo ia aeeciue, eioi?ue
iiia/aeo eaaeaony i/a?iaaoaeueiui. Aaeethoeeiaoeee i?aneaaeotho
ethaeoaeae ineoiaeaee/aneeo i?aia?aoia e a ii?aaeae?iiue iiiaio aa?oo
iaae iei aeanoue. ?yeaa? ooaeaao, aeaaeiaao, aai iineo aao?ii, ii oaea
ia iiaeao niaoue io ia?aooiieaiey. Anee i?iaeieaeaoue yoe yenia?eiaiou
iaae niaie aeinoaoi/ii aeieai, ?acoeueoao iiaeao i?aacieoe ana
iaeeaeaiey.

Eoae, ?anneac i aauanoaa, eioi?ia noaei neiaieii e
eaeioynnaioeeae oaioeaaaeueiie eoeueoo?u.

Yenoa-NE, yenoa-II

Anaaaea auei caaaaeeie, ii/aio a ?innee aiaeeo caeonuaatho /a?iie
ee?ie, a a Oeieyiaeee – aeneaeoiuie ie?iaeiuie. Ii ecaanoii, io/aai
aia?eeaioeu oiio?aaeytho yenoace aeiia, a aiaee/aia ia aeeneioaeao: oae
?anii?yaeeeanue iiaaeoay enoi?ey ianniaie eoeueoo?u. Iaaeeoeeiu, eiia/ii
– oiaea, ii iaaei o/eouaaoue, /oi iaaeeoeeineee ii?o?ao yenoace
noa?aoaeueii iiaei?aaeai oai aea iann eoeueoii: noaiaiue a?aaeiinoe
iiioey?iuo Aauanoa ii?aaeaeyaony ia aeieoi?ii a aaeie oaiea eee oeieeii
a aaeuo oaieao, a iiaeie.

Yenoace – i?iaeoeo neioaoe/aneee, a au? eo/oa – i?iaeoeo
neioaoe/aneie eoeueoo?u. Ia?aua iiuou aai iiaaeaiey ianaeaieai
caaenaee io oiai eoeueoo?iiai eiioaenoa , a eioi?ii
ianaeaiea oie eee eiie no?aiu nouanoaiaaei. A Aaeeeia?eoaiee “Aaeai”
n?aco ca?aeiiaiaeiaae naay eae dance drug, iioiio /oi oai ii
aia?aua iiyaeeny eiaiii ia ?uiea ?acaea/aiee a aeeneioaeao e
eeoaao ( a 1987 aiaeo nia/aea ia ino?iaa Eaeoea, aaea ethaeee
ioaeuoaoue aee-aeaeae ec Aiaeee, a iioii oaea e a a?eoaineeo ai?iaeao )
. Eeoaiay ioaeeea caaeuoaeanue io iicaeiaai aa?iaeenei, eneaea
ioaeioiiaaiea a house music, eeai o?aieea aa?iinoue ?ieo. Iaeieie ec
ia?auo, eoi i?inae “oaioeaaaeueiinoue” IAeIA , auee no?eioec??oe .
Yenoace ia i?inoi ?ane?aiiuaao, a ecaaaeyao /aeiaaea io aeeneiioi?oa ,
iaeiaeinoe, no?aoa. Iaaa?iia, neaaeoao i?eieiaoue yenoace
ia?aae nia?oueth…..

Aia?eeaioeu aia?aua iiciaeiieeenue n IAeIA (oi?ioee?oaony oeieeaie
eae N-methyl-3,4-methylenedimethoxymethamphetamine ) iaiiiai ?aiueoa e
ii ae?oaiio iiaiaeo – aei na?aaeeiu 80-o yoio aioaoaiei aue
ia?niaeoeaiui aioeaeai?annaioii e ia noae eaaaeueiui i?aia?aoii oieueei
ec-ca oiai, /oi enneaaeiaaiey e i?iaeaeaeaiea aai ia ?uiie eaea?noaaiiuo
n?aaenoa noieee aieueoeo aeaiaa. Iaoaio ia IAeIA n 1913 aiaea eiaao
iaiaoeeay eiiiaiey Merk, a aeaoo iaoaioia ia iaeii ecia?aoaiea eae
i?aaeei ia auaaao. Iaiaoeeay eiiiaiey ec-ca iaiau/iuo naienoa i?iaeoeoa
ia noaea a ia/aea aaea oo?oaeaeaoueny aai ?ac?aaioeie. ?onneee
aia?eeaiaoe Aeaenaiae? Ooeueaei iio?aoee iiiai a?aiaie e nee, /oiau
oaaaeeoue a?a/ae a iieaciinoe IAeIA. *oi-oi aio oaeaeinue. A Oaaeoea?ee,
iai?eia?, ineoioa?aiaaou eiatho i?aai n iiiiuueth IAeIA i?iecaiaeeoue
ea/aiea ioaeaeueiuo n/anoeeaoeaa. Ii aeey ianniaiai ?ani?ino?aiaiey
IAeIA – iiaeiaii oiio, eae nae/an ?annanuaaaony ii aeai?anneaiui
i?aaieciai aia?eeaioeaa e aa?iiaeoeaa Prozac ( fluoxetine) – iaiaoiaeeii
auei nicaeaoue aai aiaeia.

Aioeaeai?annaiou, eae ethaua ae?oaea eaea?noaa, i?eau/iaa
oiio?aaeyoue a eiioi?oiuo oneiaeyo. Aia?eeaioeu ia niiaee io yoiai
ioeacaoueny aeaaea iinea oiai, eae a 1991 aiaeo IAeIA aa?ioeny a Iiaue
Naao ec Noa?iai aeey iiaeaea?aeaiey oi?ioaai ?eoia a iauanoaaiiuo
ianoao ai a?aiy oee-yiaeia.

Eoae, ia a?eoaineeo ino?iaao ia?aae iiyaeaieai yenoace oea?noaiaae
ieeue, ii aeai?anneaiue ?ie ( The Farm, Ride, The Psychedelic Furs e
ae?oaea iaioeoeeaeueiua eeoea) , e auoaniaiiiio ca aai ynoaoe/aneea
?aiee aieueoeinoao o?aaiaaeny aeueoa?iaoeaiue Aoiae. Aia?eeaioeu aea
iiaenaee ia yenoace, nei?aa anaai, ec-ca aeiaieueii no?aiiiai deja vu –
o IAeIA auea ao?a iani?aaaaeeeai ioaa?aiooiai aaiey.

Caaiaee a iiaeaaeu

I?iaeaaoeu IAeIA nia/aea iacuaaee iiaue ia?eioee “ Empathy” ( yoi
eiaaea ai an? auacaeaaoue n iie-iai?ioa, e aicieeaao neeueiia aeaeaiea
ae?oaeeoue ni anaie ie?oaeathueie ), ii iioii i?eaeoiaee iacaaiea
i?eaeaeaoaeueiaa e naenoaeueiaa – yenoace.

A i?anna ia yenoace ia/aee ienaoue a 1985 aiaeo. Oiaaea aea
neo/eeny neaiaeae n china white, iaeiei ec oae iacuaaaiuo designer
drugs (DD). DD – eaaaeueiue ia?eioee, ii aicaeaenoaeth ie/ai ia
ioee/athueeny io iaeaaaeueiiai. E DD ioiineony, iai?eia?, “Aaa” –
aioaoaiei IAeAA, iaiiieiathuee IAeA e IAeIA. Neaiaeae caeeth/aeny a oii,
/oi a iaeiii ec DD ieacaeenue aauanoaa, aucuaathuea oaeea aea eciaiaiey
a iicaa, eae i?e aieacie Ia?eeiniia. Eiia?ann NOA ooo aea i?eiye caeii,
ii eioi?iio IAeIA, IAeA e IAeAA auei cai?auaii oiio?aaeyoue. ( A
Aaeeeia?eoaiee aioaoaieiu auee cai?auaiu n 1977 aiaea). O?e yoe
aioaoaieia ioee/athony ea/anoaii e n?ieii aeaenoaey. IAeIA “ ?aaioaao “
ieiei 4-6 /ania. IAeA – 8-12 /ania. “Aaa” – 3-5.

Aeeaou ia ii/iua aeeneioaee a A?eoaiee i?iaeaaaeenue ia iaiaa
eiinie?aoeaii ,/ai yenoace. Aae?ana ia ieo oeacaii ia auei – oieueei
oaeaoii , ii eioi?iio oaea ii/ueth iiaeii auei ociaoue , ioeoaea e eoaea
iiaeii aeia?aoueny aei ?yea- aa/a?eiee. Iie i?ioiaeeee iau/ii ca
ai?iaeii – eae ieieioi a aeaoo ieeyo io ianaeaiiuo ioieoia. I?aaiecaoi?u
a?aiaeiaaee eeai eanioth iieyio , eeai caiie , eeai aa?aeo. A 1990
aiaeo a Aiaeee auoae caeii , niaeanii eioi?iio iiaeiaiia
a?aiyi?ai?iaiaeaeaiea ia aicaeooa auei cai?auaii . ?yea aa?ioeny a eeoau
e aieueoa ioooaea ia aueacae .

Yeaiaio Iiaeu

A ?innee a ia/aea 90-o aiaeia ieeoi ia iiiuoeye naeaaaoueny ia ieeinoue
?yea-eoeueoo?a. Iiieiioi?ienoneea Oia Shamen , oiaaeaoiea eeaea?u ?yeaa,
auee ia iiioey?iaa aua aieaa iiieiioi?ienoneeo The Residens , ia eiaaoeo
e yenoace ieeaeiai ioiioaiey. Eia-eoi , iaaa?iia, aua iiiieo
ni/eiaiiua Oia Shamen ia?aua aeiiu A-iieieaiey – “ MDAMazing” e “Move
Any Mountain” .Aaeioiiaeaiiua i?ecuaii , ?yeaa?u eaaei a?aee ethaua
ai?u i?e iiiiue yenoace . E yoi aia/aoeyei, e eacaeinue , /oi ai? ia
caiea iaiiiai aieueoa , /ai yoi eaaeaony. A ?yeaa?u oioaee aieueoaai –
acyoue naie ai?u a einiin.

Ii iinea ia?aiai “Aaaa?ei-ia?oe” a Iineaa ?yeaa?u ia oeaoaee a
einiin, eae auei iaauaii, a ni no?aoiie neeie noaee ?ani?ino?aiyoueny
aoe?ue ii iaeiie oanoie /anoe nooe. ?yea a n/eoaiiua ianyoeu i?aa?aoeeny
a i?ecaieaiiue aecian, oae /oi aaeaioai an? o?oaeiaa ionoaeaaoue
iiieiioi?ienoneoth eiioeaioeeth.

Aeiiaao ee a yoii yenoace?

?yea-eoeueoo?a i?eoea a ?inneth oiaaea, eiaaea a NOA e Aaeeeia?eoaiee
oee nii?u ia iianiinoe aioaoaieiia aeey i?aaiecia. Iie n/eoaeenue
aauanoaaie iaeiia?aiaiii e iaaaciianiuie, e iaecaaaeiuie – eae aeeiaieue
e neaa?aou. Iieacaoaeueii, /oi ieioaoae ceiie iaeei ec a?aoueaa Aaeeaoa?
ec Oasis, Iiyeue, i?aaeeiaeee ia?aaanoe yenoace a ?ac?yae eaaaeueiie
iauaeaiiinoe. Iii-aa?ie i?aaeeaaaao ocaeiieoue iii-aauanoai. Aacaoa
Mirror i?iaaea ii?in naieo /eoaoaeae, e ieiei 80 i?ioeaioia ec ieo
auneacaeenue ca eaaaeecaoeeth yenoace.

IAeIA a Aaeeeia?eoaiee oiai e aeyaee noaiao i?aaeiaoii iieeoe/aneeo
aeeneonnee. Yenoace noaei neeie, aeeythuae ia oi?ie?iaaiea oeaeiai
iieieaiey. Oaiiiai ?yeaa e?iaony a iauaaeeiaiiie yia?aee oieiu,
Aiiieiiiai I?aaiecia. Yenoace eeoue iinoaaeyao oieia yia?aeth, e
iinoaaeyao aanueia yooaeoeaii. Anee au yenoace ia auei, aai neaaeiaaei
au auaeoiaoue.

Aea, nianoaaiii, e auaeoiuaaoue ia/aai. Nienie dance drugs ecaanoai.
Aia?eeaineee e aiaeeeneee “nieaeu”, eieaei, yoaae?ei, oaiacaiai. Ethaie
ec ieo iethn eaoaiei, ineeioeeaeiiaua a?eau eee ENAe aiieia iiaee au
caiaieoue yenoace ia aeieaeiinoe aeaaiiai dance drug. E ?yea an? ?aaii
?acaeaaeny au oae, eae ii ?acaeaaeny, e i?eo?e au e oiio, e /aio i?eo?e.
?yea-eoeueoo?a a NOA e Aa?iia ia?aae i?eoanoaeai a ?inneth oaea auea
aeinoiyieai iann.

Ia Caiaaea i?iaeaia aeooaeueiinoe ianoaeaeaaony ai?acaei niieieiaa,
iaaeaee a ?innee, aaea ethaua io?uaeee iiaeu aaoi?eoaoiaa caei?iaiai
ia?aca aeecie. ?onneea nia?oe ia aiyony, iiyoiio a?aae io yenoace eie
ieeiaaea ia i?aoaaee/eaaeny. I?aaieciu iiaeiuo ?inneeneeo a?aaeaeai
nian?o io iaacaiaeeaaiey oieueei nieaeaiea noaoona yenoace eae Yeaiaioa
Iiaeu.

A ?inneth yenoace iiiaei eae dance drug. Eae a Aaeeeia?eoaiee. Ca
au/aoii ?acaa oiai, /oi a ?innee ia auei oaeeo eeoaia, eae ai an?i
inoaeueiii ie?a. Iaeia ec caneoa ?yeaa – nicaeaiea oneiaee aeey
i?ioeaaoaiey iiauo “aeiiia eoeueoo?u e ioaeuoa” aeey iieiae?aee.
I?aaaea, naiii?iaicaeaoaiiue “ioaoe ?onneiai ?yeaa” Oeio? Iiaeeia,
?acaeaeyy iiaiea i oii, /oi neioaoeea a?aaeia aeey /aeiaa/aneiai
i?aaiecia, ia n/eoae iaycaoaeueiui i?eieiaoue yenoace, /oiau aeinoe/ue
eciai?iiiai ninoiyiey. Ii “?yeaiethoeey” niayeanue iaae
“?yeaiethoeeiia?ii”. Iiaeeia oioae, /oiau oaioeaaaee ana, ii ia oioae,
/oiau ana noaee “o?eeaie” – a eiaiii e oiio e i?eoea aieueoay /anoue
“i?e?iaeae?iiuo eeoaeeoe”.

No comment

“Iia iaaeaaii iiaacei – ieiei /ana neooae “106,8”. Eaeie-oi
ia?aiue n iaa?eoyineeie iioeaie a aieina, /oiau e?ooi auei, iuoaeny
eiiiaioe?iaaoue ?aaioo ae?ai-iaoeiu. Ethaee yoe iacuaatho naay
AeE-aeaeayie. Anoue aee-aeaeAe, a anoue, aeyaee-ea, aeE-aeaeae!
Oeeinioey oaeay. Yenoace – i?iaiaeiee. Aac yenoace ou ia iinayu?i.
I?e/anoeoueny – e ou n iaie. Auaaao, eiia/ii, /oi-oi eioa?aniia a
aeeceaaeaueo iaeanoyo. Ii iaaiciiaeii ainiieieoue iaaeinoaoie eioaeeaeoa
ciaieai iuouaiee io yenoace. ss ieeiaaea yenoace ia nuai. ss eo/oa
oo?ii iiaaaath”. Ianeieueei eao iacaae Aeeia E?eeue ea?ae a a?oiia The
Ballerinas. Aio aieueoa ii aeooa oio ia?eiae – eiaaea ?yeaa ia auei. Ii
aiai?eo i “iaiocuea” n iaaeioiaieai. Oieueei a/a?a an? auei ii-ae?oaiio.

Oaoa Ieaeiee ?anoeo ?aa?iea, ieoao eieae, ca?aaaouaaao aeaiueae. I
ia?eioeeao ciaao aeinoaoi/ii aeey ia?aciaaiiiai /aeiaaea:

“Aue i?iaaaeai yenia?eiaio – e?una aaeeaeee a iica yeaeo?iae, eioi?ue
aucuaae o e?unu iuoa/iua niaciu, a? ioaaouaaea yeoi?ey. A eeaoeo
aiiioe?iaaee iaaeaeue, n iiiiuueth eioi?ie iia aeeth/aea yeaeo?iae. Oae
aio e?una oia?ea ia yoie iaaeaee. Io ia? inoaeny oieueei nooiiueeee
oainoee e aunooaiiue e?anoaoe. Nai?aea, ii eaeo iieo/eea ii iieiie
i?ia?aiia. *aeiaaeo iaaei aa?aaeiaa ia?auaoueny n nianoaaiiuie iicaaie.
Aio /oi y aeoiath ii iiaiaeo yenoace”.

Oaoa au?aaeaaony eae cai?aaneee aaeoaoi? ai a?aiy aioeia?eioe/aneie
eaeoeee aeey oeieueieeia. Ii iia ia aaeoaoi? e aeaaea ia
oanoeaeanyoieoea, ionoue e aiai?eo i/aiue aicauoaiii.

Iieiaeua ao?aeoa? Yoi caei?iaue oeeieci, a ia ao?aeoaciinoue. Oeeieci
yoio ia ioee/eoue io ethaae e aeecie, e naaa, io a?acaeeainoe e ianeeeth
iaae niaie.

Eoi aue n?aaee iinaoeoaeae “Aaaa?ei-ia?oe”? I?eee/iua ethaee.
I?eyoiua niaanaaeieee. A/a?a noiaeeee ia Nitzer Ebb, naaiaeiy eaeoo ia
Ia?ea Aeiiiaea, caao?a – ia Laibach. Aeaaea Depeche Mode ia aucuaaao o
ieo oniaoeo. Iiyoiio iie niaa?oaiii niieieii e aeia?iaeaeaoaeueii
ioianeenue e aa/a?eiea ia AAeIO.

Eoi naaiaeiy oiaeeo a iaiioiieyaiue “Oeoaiee”? Oeieueieoeu, aeey
eioi?uo i?eiyoue oaaeaoeo yenoace – an? ?aaii /oi ?aoeoueny ia
aeaoei?aoeeth. Iie /oi, ethayo yeaeo?iiioth iocueo? Iie ie/aai ia
neuoaee ie i?i Nitzer Ebb, ie i?i Front 242. ss iieioa?aniaaeny o noaeee
aeaai/ae e iaeue/eeia a iaiiiauo iaa/eao, /oi iie aeoiatho i iocuea. ?io
aiyeenue ioe?uoue, neiaii o eaaeaeiai iiae ycueii i?iiieaoea.

Au? ooaea oiaeyo auee. “?acaieieee”, eae eo iacuaaao Iiaeeia. Iie
oaia?ue aacaea, aaea ?yea e “noeeueiua aeaa/iiee”, aeothuea aeaeoneo?oo.

An?-oaee i?eoiaeeony i?eciaoue, /oi aeain-ia?eioeee e ?yea neeueii
eneaceee ?aaeueiinoue. E noaee oaeoi?ii, eioi?ue iiaeii n oaa?aiiinoueth
n/eoaoue iaeiei ec naiuo aeaaiuo a nia?aiaiiie eoeueoo?a. Oaia?ue oaea e
o ian – ianniaie. Iaianniaay, ioeoaea an? ia/eiaeinue, oaia?ue n/eoaao
oi?ioei oiiii eo noi?iieoueny. Aaaeue eiaiii yenoace e naycaiiua n iei
eca?auaiey a ii/iuo eeoaao e aucaaee iaaaoeaiia ioiioaiea iauanoaaiiinoe
e ?yeaa?ai. A aaaeue iiiaea ec i?eieiathueo yenoace aiana e ia yaeythony
a aeooa iieeiiieeii oaoii-iocuee, a i?inoi ioaeatho aeaiue iiaea. A oi
aea a?aiy, y ciath iiiai ethaeae, eioi?ua i?aaeii/eoatho caei?iaue ia?ac
aeecie: aiiaua ia oiio?aaeytho aeeiaiey, ieeioeia e, oai aieaa,
ia?eioeeia, o.e. caieiathony nii?oii; ii a oi aea a?aiy iie yaeythony
iieeiiieeaie ?yeaa e ia i?i/ue i?ioaioeaaaoue ia aeeneioaea anth ii/ue.
Iia eaaeaony, yoi aeaaea iieacii a aeaea oecca?yaeee. Iiaeao auoue, yoa
iocuea e aucuaaao ?anneaaeaiea, ii a?aiue, eioi?oth iaeuecy
ia?aoiaeeoue, /aeiaae onoaiaaeeaaao naaa nai. ss oaa?aia, /oi ie/oi ia
iiaeao canoaaeoue iaiy i?eieiaoue ia?eioeee, ii, oau, n?aaee iieiae?aee
nae/an yoa oaiaeaioeey oneeeaaaony. Oiio i?eia? neaaeothuea oaeou.

Ethaie iaaeeeaiaio – invasion, iaoo?aeueiia aoi?aeaiea. Iiiaia
ec oiai, /oi ian ie?oaeaao – invasion. Aio Ieoa Aaneei. Ii aiai?eo:
“Oi/o i?iaiaaoue ana ia?eioeee iiae?yae. Ii ia ethaeth aiaoiaai
aicaeaenoaey. “

Iaeuecy caauaaoue, /oi e a ?innee iiiai “aia?eeaioeaa”,
i?aaeii/eoathueo iiaeiuaoue yenoace aeiia. Eae i?aaeei, aeiiaoiaa
yenoace-ia?oe i?iaiaeeony ?aaee naena. *anoi yenoace noaiiaeony
iacaiaieiui yeaiaioii naenoaeueiiai ?iiaia.

Oniieie na?ioiiei

Aei neo ii? eae-oi ieeoi aiyoii ia iauyniee, eae yenoace aicaeaenoaoao
ia iica. I/aiue i?inoi. O /aeiaaea anoue aauanoaa, iai?eia?, na?ioiiei,
eioi?ue ?aaoee?oao aai yiioeeiiaeueiia ninoiyiea. Ia?ooaiea aaeaina yoeo
aauanoa a i?aaiecia aucuaaao ia?aiaio a iano?iaiee. Ia?aiaiu a
iano?iaiee – noa?a i?ioanneiiaeueiiai eioa?ana ineoeao?ia.
Ineoeao?e/aneay oa?aiey naiaeeony e oiio, /oiau yiioeeiiaeueiia
ninoiyiea iaoeeaioa aa?ioeinue a ii?io. O?aaoaony iaeaiueeia invasion.
Ioee/ii, ii aoi?aeaiea eaeaioe/iuo na?ioiieio aauanoa ia i/aiue ioaeii
i?aaiecio. Ii auioaeaeai ia?ano?aeaaoueny. Aeey iaai iiyaeyaony ae?oaay
yiioeeiiaeueiay ii?ia. Eioi?oth oiaea caoi/aony i?aiaeieaoue – /oiau
aeeoue auei ianeo/ii. Ecaanoiue iiioey?ecaoi? yenoace Ieeiean Naoiaea?n
niaaooao oiio?aaeyoue yenoace ia i/aiue /anoi, a oi aoaeao ia i/aiue
eioa?anii. A yoii niunea yenoace iaei ioee/aaony io aa?ieia. Enoaoe,
eiaiii Naoiaea?n iineaaeiaaoaeueiaa ae?oaeo eceaaaao naith oi/eo c?aiey
a caueoo yenoace. Ii iiiieo, eae a Oaoana e Aeaeeana yenoace iaeioi?ia
a?aiy i?iaeaaaeny aeaaea a aa?ao e iieueciaaeny ai?acaei aieueoei
oniaoii, /ai eieaei, iniaaiii o yiie. Ie ca iaeei ia?eioee ieeoi aei neo
ii? ia ?aniea/eaaeny e?aaeeoiie ea?oi/eie. Yoi auei, eiia/ii,
caia/aoaeueii.

Ia oa?ye aaeeoaeueiinoue

Anoue au? eia-eaeea iiioey?iua oaeou ec ia?aie eieae Naoiaea?na “E is
for Ecstasy”, aeaau ec eioi?ie iiaeii iaeoe a WWW. Ia ana yoe oaeou
ioe?ue ii, ii oi/aony ia yoiai ia?iy nineaoueny.

Eaaeaeua auoiaeiua, ii aeaiiui The Economist, a Aaeeeia?eoaiee
ieieioi 500 ouny/ /aeiaae oiio?aaeytho yenoace. Noieue aieueoie ni?in
i?eaae e oiio, /oi ia ?uiea noaee ano?a/aoueny ia naiiai eo/oaai
ea/anoaa oaaeaoee. A eiioea 1993 aiaea aiaeeeneay i?anna iaaniieieeanue
oai, /oi a yenoace i?eiaoeaatho aa?iei. E ia oieueei aa?iei, ii aeaaea
e?uneiue yae. Ii a Aeacai enneaaeiaaee 15 nia?oaeueiuo neo/aaa, e a 14
ec ieo ia?oaaoeu i?eiyee /enoue eae neaca IAeIA, e oieueei a iaeiii
neo/aa IAeIA aue niaoai n ae?oaei aioaoaieiii. Aa?neth i niaoaiee
yenoace n aa?ieiii ii?iaa?aee. A /ai i?e/eia nia?oaeueiuo enoiaeia io
i?e?ia yenoace? Ia?aa?aa e iaacaiaeeaaiea i?aaiecia. Iau/ii ?yeaa?u
oie?aee a oao eeoaao, aaea ia auei /eeaooa e aanieaoiie aiaeu. Oia?aoue
io iaacaiaeeaaiey i?aaiecia eee io ia?aa?aaa iiaeii e aac i?eiyoey
yenoace. Ii i?e i?eiyoee aauanoaa i?aaieci oa?yao aaeeoaeueiinoue. Oae
aea aieueoie ?ene ian?o a naaa e iio?aaeaiea iaeiia?aiaiii aeaoo
ia?eioeeia. Caueoieee yenoace ooaa?aeaeatho, /oi nia?oue io yenoace
ano?a/aaony ai?acaei ?aaea, /ai io aeeiaiey. Ca iineaaeiea 15 eao a
Aaeeeia?eoaiee oia?ei ieiei 50 /aeiaae, ianiio?y ia oi, /oi aaeaaiaeii
oai iio?aaeyaony aieaa 50 000 000oaaeaoie.

Aio iaeioi?ua ec aauae, einaaiii
aaeioiiaeaiiua eoeueoo?ie – iiaiae caaeoiaoueny, eae iiaea au
i?ienoaeaoue aeeciue, anee au ie/aai yoiai ieeiaaea ia auei.

Yoi no?aiiia iuouaiea ethaae. Oio naiue iiiaio n?aaee ii/e, eiaaea au
iiai?a/eaaaoanue e eiio-ieaoaeue, eiai au ano?aoeee aeanyoue ieioo
iacaae e aiai?eoa:” Ou iia aeaenoaeoaeueii i?aaeoueny. Ia aeoiae, /oi y
yoi aiai?th, iioiio /oi oaeaeaiiue. Aeaaae eoaea-ieaoaeue iiaaeai aianoa
ia auoiaeiua”.

Ieeniiaiey. E eo/a aee-aeaeaaa, iieo/athueo iaieioea aeaiueae ca oi, /oi
aeaeatho iocueo iai?a?uaiie a oa/aiea ii/e.

Aunieea iiou. Ianie n i?eiaaaie oeia Take me higher/ feel the rush e
o.ae

Iiaay aaia?aoeey iii-ca?cae. Aeieeiaua einothiu, eiaia, iioiaeea ia
eee/ee ?aaeeeo ii?iae aeeaioiuo.

Oaioeaaaeueiua ?aaeei.

Iiaua iaieoee. Aeaaaeoa iiaieueoa anyeeo iaieoi/eia a y?eeo aoouei/eao!

Caeeiooueny, oaeoueny ……. e anyeea i?i/ea iiyoe/aneea aeiaaaeaiey e
eeoa?aoo?iiio ycueo.

?yea – i?iiiaaaeieee. ?anneacu i?i ?anoe?aiiia niciaiea, eiia ninoiyiea,
iienaiea oiieeo aeaeaeaiee aeooe a ynoaoeea “ioeaaiii” e “a yoio iiiaio
y ii/oanoaiaae, /oi ioeoeu iitho a oienii iocuea”……..

Oeaa?u, oeaa?u, oeaa?u. E ethaee, eioi?ua ?acaeatho eo a 6 /ania oo?a ia
auoiaea e ia oeeoeao n?aaee aaea aeiy.

Aeaeaieeeiu n “ineoiaeaeeae”( a?auathueany nie?aee, eiiiuethoa?iua aiiee
e o.ae.).

?yea-iooaoanoaey. I?ioau?iooueny a Eoaeeth, Oaeeaiae eee i?inoi ia
aa/a?eieo a Ieoa?. E oaeoueny oai a iieue – oi/ii oae aea, eae e a
i?ioeoth noaaioo iaaeaeaei io nianoaaiiiai aeiia.

Aa/a?eiee ?ao?i-oaona Caoee 80-o aei aaneiia/iinoe.

Aee-aeaeaeneea iiae?oae e ae?ocuey. Oaneathuea ca naiei aa?iai noieo n
ieanoeieaie, niae?athueany noaeeie e a?inathueany iaeiaiyoiuie
iacaaieyie eaauo iaiaoeeeo eaeaeia.

Oooaieee n iaaeienyie oeia LCD, Enjoy Cocaine o?eooii “Eiea-Eieu” eee
aaeeaeanianeee o?eeenoiee, i?aia?aae?iiue a eiiiieyiue neiaie. Iau/ii
i?aaeoniio?eoaeueii auiieiaiiuie a aeaea, aethnoeoaeyi ii?yaeea
iaiiiyoiii – e o?iiaee?iaaiea io yoiai i?eia?aoaao iniaaiioth ino?ioo.

O?yeiniiooeia-oaiiiai. Oai?aiea E?aeia Oyeoa, iiyoa – eao?aaoa
oeie/aneiai iieieaiey, noaei y?eei naeaeaoaeuenoaii oiai, /oi yoi
iieieaiea nouanoaoao a naiae eoeueoo?a e n/eouaaao naie ciaee, iaace?ay
ia aina?aieoeu.

Oaeanu ia OA. Oie-oio ia oaio i?iaeai iieiae?aee n o/anoeai ieeeoeaeneeo
/eiia, ?anneacaie i aoaeiyo ooniai/iie aeecie, naiia oaeaniia –
“nioeeaeueiay ?aeeaia”, nicaeaoaee eioi?ie a eo/oai neo/aa aaconiaoii
iuoathony naaeoe?iaaoue naie naay , a ooaeoai – ioe?uaatho aeey
oeieueieeia caiai/eaue ie? eieaeiiaie aiaaiu.

Oioaeueiay aanniiieoea. Eaaeaony, aieueoa ieeoi ia eiaeeony niaoue a
noaaioiee aa/a? e iniaay aaia?aoeey aeaaeiieiaeeo “ii/iuo aeeoaeae” a
oaiiuo i/eao, n/eoathueo ia?aoii aiae?noaiaaiey nooeaie aiaauie
e?anoaie.

N iaeioi?uo ii? ii/iie eeoa aioae a iaoo aeeciue eae n?aaenoai
?acaea/aiey. E anee a iaeaiueeeo ai?iaeao auae?aoue ia i?eoiaeeony:
eaaae – aecianiaiai, iiaeaae – iiae?inoeai, oi iaaaiieen oaeo a naaa
ouny/o niaeaciia. Ieaatho iaiiueee a ii/e, caaeaeatho aaeeeieaieai
oaaeoea?ia aeanyoee caaaaeaiee e caaaaeaiueeoe.

Eeoau iiae?acaeaeythony ia:

ianoa aeey aiaaouo n ?oeaoeie, aeye-aeaeaeii e no?eioecii;

ianoa aeey iaania/aiiuo niiaia ( ethaeae n ynoaoe/aneeie i?aoaiceyie ) n
«aeeaie» iocueie e ecuneaiiie eooiae;

oaiaoe/aneea eeoau n aeaeacii, eaio?e eee eiie iniaie iocueie;

iieiae?aeiua nai?eua ?aciiai oieea.

Eoae, niaoeeaeueii aeey aacaeaiaaeiie, ii ooniai/iie ioaeeee
nicaeaiu oaioeaaaeueiua eeoau. *aua anaai iie ?aniieiaeaiu a iiaeaaeao e
caa?ioaiiuo AeE.

Ii/iie aeoaaeo

Aeaeai iau/ii iaeueeaao ia ye?aiao, ?aniieiaeaiiuo ia
oaioeiiea e a /eee-aoo (eiiiaoa ioaeuoa). Aieaa aa?anneaiia aeaeai –
aeey oaioeothueo. Niaea?aeeo iacaaeneiue io iocuee aecoaeueiue ?yae:
aanii?yaei/ii, ii aeiaieueii ooaeiaeanoaaiii /a?aaeothueany ieaiu
/aeiaa/aneeo eeoe, ?aaioathuae oaoieee, iee?ii?aaieciia, noa?ie o?iieee,
?ao?i ea?oei (iai?eia?, n o/anoeai Aa?u Oieiaeiie eee *aieeia). An? yoi
ec?acaii e neeaaii iaaeaeo niaie ia iaia? eieeaaea. Aeey otheaiae ec
eiiiaou ioaeuoa – iniaia, iaaeeoaoeaiia aeaeai. Anee au iiiieoa
aeaoneoth ea?ooeo – aieoaaioth o?oai/eo n oeaaoiuie noaeeyoeaie aioo?e,
oi i?aaenoaaeoue aeaeai aeey ioaeuoa aai aoaeao ianeiaeii. ss?eay
iicaeea eiioeaio?e/anee ?acaaaaaony ii ye?aio – oaeia eeii, oicyei!

Aeiee. Ieanoe/iue iaoa?eae, ec eioi?iai aeaeatho a?aiieanoeiee. Ia
neaiaa aee-aeaeaaa e i?i/eo iaeiiaiueyeia icia/aao « aeene ia 33 iai?ioa
eae iocueaeueiue iineoaeue».

Aeaeiino?oeoeaeci (aeano?ie). Noeeue a aeecaeia, a oaia?ue e a iocuea,
i?aaeiieaaathuee iieioth ?aciau?iiinoue o?aaiaioia aaeeiiai oeaeiai.
Aiai?y ii-?onnee, «eoi a ean, eoi ii ae?iaa». A iineaaeiaa a?aiy ia
noeaio auiiecei ia/oi, ninoiyuaa ec ?acee/iuo iaeiaee/aneeo ia?uceia:
aeaeaca, neioiiecia, aeenei, i?iiuoeaiiuo ooiia ( anee ne? iiaeii
ie?anoeoue iaeiaeeae). Iiino? aeano?ie ia oae oi?io niaie, /oiau
caeioa?aniaaoue ieeeeiiu, ii ia?o-o?ieeo aeai?anneaiuo iiae?inoeia ii
oaea/?o iaaa?iyea.

Aee-aeaeae. Aeene – aeieae, IN, aaaeouee aeeneioaee, oio, eoi noaaeo
ieanoeiee e e?ooeo eo a ?aciuo iai?aaeaieyo, /oiau aeiaeoueny caoeia e
?eoiia, aaeaeaaoiuo iiiaioo. Aee-aeaeae i/aiue ia?aai, eee, iai?ioea,
caoi?iiaeai, ii a iaieo neo/ayo ii iaeaaeaao noia?/oanoaeoaeueiinoueth.
Io aai iocueaeueiiai aeona caaeneo iano?iaiea aoaeeoi?ee.

Aeaeaiae. Naa?onei?inoiia ioneiaiea io oaoiiiocuee. *oiau aeiaeoueny
caoea «aeaeaiae», iaaei ieanoeieo n iau/iie oaoii-eiiiiceoeeae
i?ie?ooeoue ?aca a 2-3 auno?aa. Ii ia an? oae i?inoi. Oaoiieiaey
eiiiuethoa?iuo nyiieia oneiaeiyaony aeaiue ioi aeiy, e eoeieueiua aieina
a noeea «aeaeaiae» eiio-oi ioaeathony aieiaiie aieueth.

Eiaae?iiaio. Eneonii ioi?ieaiiia i?ino?ainoai. Ia?aiia/aeueii eeoa
i?aaenoaaeyao niaie iiaeaaeueiia iiiauaiea n o?oaaie, aaioeeyie, e?unaie
e niaoeeoe/aneei caiaoii. Oneeeyie i?aaiecaoi?ia aaaeth/iee iinoaiaiii
i?aa?auaaony a othoiia ianoa/ei, aaea a eaeo iineaeaoue, aueo?eoue e
iioaioeaaaoue. Iao oi?ioeu nicaeaiey eaeaaeueiiai eiaae?iiaioa. An?
?aoaaony eiooeoeaii: eaeiai oeaaoa aoaeoo noaiu, eae ne?uoue o?oau, /oi
aoaeao naenaoue n iioieea, ia /?i aoaeoo neaeaoue (eaaeaoue) ethaee.
Iaeiicia/ii – an? aeaeaaony a ieeo ac?ineui «iaaei?neei» eeoaai. *oiau
neo/aeii caoaaeoee ia iaii?e «aue» ieeiaaea ia aa?ioeny e ?anneacuaae a
oaeana naaa iiaeiaiui: «Oai no?aiiua ethaee e no?aiiia ianoi».

Eiiiuethoa?. Iniiaa eeoaiie iocuee e eeoaiiai aeaeai. Naaiaeiy
eiiiuethoa?iie ia?aaioea iiaeaa?aaaony an? eiathuaa ioiioaiea e
iieiae?aeiie (aiaea?a?aoiaeie) eoeueoo?a. «Iiaea?» – ni?ineoa au, a aai
ioaaoyo: «Iao. I?inoi acaeyae a aoaeouaa».

Iien. Ooi. AEoaeaeauea, a?ai/auea, aoaeyuea, neiaii, ooiyuea iiiaiou a
iocuea. Noeeue «iien» aue iiaeai a ia/aea 80-o e eniieuecoaony ii nae
aeaiue ( iai?eia?, a eiiiiceoeee I.Aeaeaeniia «E?ee»). Nouanoaoao oaeaea
eioa?aniay a?oiia «Art of Noise».

Iauaiea. A ii/iii eeoaa ii/oe ia?aaeueii, oae eae aeaoeeaaeu
i?aauoatho aiciiaeiinoe /aeiaa/aneeo aieiniauo naycie. Iiaeii, eiia/ii,
iioaioeaaaoue, iaiaieaaynue ciaeaie, ii iaaeeoaoeaiinoue oaioea
niinianoaoao naiioaeoaeaieth. Ou /oanoaoaoue aa?iiieth ni anaie
i?enoonoaothueie ia oaioeiiea, e ia aieaa oiai. Ia eiioaeo ia oyiao.

Iaoe (ia?oey) – aa/a?eiea.

Ieanoee. Iaeiiaeiaeoay oeaiue, ec eioi?ie oue?ony aaniethoii an?:
o?onu, aeaeeinu, iaeee, eeo/eee, aa/a?iea aeeeiiua ieaouey, iaeueoi,
oaiee e aeoae?iee. Aeiieie?othuee iaoa?eae a oieoi?ia aeey oaioeiiea.

?eooae. Oaia i/aiue na?ue?ciay, oeaeuie einoeoooaie eco/aaiay ia
Caiaaea. Aeaei a oii, /oi, neeioa oai?oa o?enoeaineiai no?aoa ia?aae
aaaiiie iaiaiiie, ?aciaea/ea ae/iuo oea?eiaiuo aeayoaeae, aieueoay
/anoue /aeiaa/anoaa inoaeanue ia o aeae. Iaeiio iieeoueny: O?enoin
ieacaeny ieio, Aoaeaea neeoeii neiaeai. Iaaiiao ia i?ecia?o oaieiecia.
Iiaeoaeaeaa oiii, caiaaeiue ie? inoaiiaee nai? aieiaiea ia iaaaiecia,
ae?aaiae ycu/aneie eoeueoo?a, iniiaaiiie ia iiiaiaiaeee. Aianoa n oai
aueacee iiaa?uey, iaaey, ciaoa?noai e ?eooaeu. Ia oiia aaoaiiai ?acaeoey
eiiiuethoa?ino?iaiey iiiyoea «?eooae» i?eoeinue au eae iaeuecy enoaoe.
Aeeoy eiiiuethoa?a, oaoii n aai ianeiaeiuie iaeiaeeyie, ninoaaeaiiuie ec
iaoaeue (iiaoi?ia), noaei iocueaeueiie iniiaie iiaiai, eeaa?iaoe/aneiai
?eooaea.

*oi iuouatho ethaee, eioi?ua iano?ieii oii/oony n?aaee aeuiia,
oeaaoiuo iaiae a iiaeaaeue/eea iiae iaeooathuee iiiioiiiue iaiaa? Naie
oiai ia ciay, iie iieyony, eae iieeeenue ia?aiauoiua ia?aae eino?ii a
iaua?a, ?anienaiiie ianeaeueiuie aeciiaie.

Nyiie. Aa??ony enoiaeiay eiiiiceoeey ( «Oaiaoe iaeaiueeeo eaaaaeae»,
ianiy «ss ethaeth oaay, aeeciue» eee «Say Yaki-Da») e «ii?oeony» ia
nyiiea?ao – iaoeiao, eciaiythueo caoe aei iaociaaaaiinoe. Nyiie
n/eoaaony naiinoiyoaeueiui iocueaeueiui i?iecaaaeaieai, caeii i ieaaeaoa
ia iaai ia ?ani?ino?aiyaony.

Oaioeiie. I?eia?ii oi aea, /oi e oaioecae.

Oieoi?ia. Eae iiiai neia, e au? ie/aai ia neacaii i iiaaaeaiee
?yea-iieieaiey. Auoue iiaeao, eoi-oi oaeeaeony, ii oaioei?u aaniethoii
ianneaiu. Iie iia?oaeaiu a io/eio aioo?aiieo aia/aoeaiee e ?aaeei
anieuaatho ia iiaa?oiinoue. Iie iaaeiaa?/eau, iaioioii eaeoo ia eiioaeo,
ia ia?aue acaeyae eaaeoony naiiaethae?iiuie i?eaeo?eaie. Ii yoi ia oae.

Iieieaiea O, aeeth/athuaa a naay e ethaeae ?yeaa, ioee/aaony io
i?aaeuaeoueo eioi?iaoeeiiiie ia?aa?oaeaiiinoueth. Eiaaea iii auei nianai
thiui e an? aini?eieiaei ana?ue?c, caeai/eaaeanue e i?eiineea naie
ieiaeu ia?ano?ieea. Eae ii eiiaiaea ioe?ueenue ana eeaiaiu:
ae?ocuey-eiino?aioeu i?eaiceee naaaeea aeo?iaeu, OA aauaei iai an?i ia
naaoa, a oii /enea i iocuea e iiaea, auoiaeeee iiaua eieae – i
iiaeniciaiee, i oaeinoaaiiii, i ?aaioa iicaa e oaea, i oeiee e
eiiiuethoa?iuo naoyo.

Ia a?aio aunooieee aeaiueae, a ca ieie – ianoiyuea eaieoaeu e
ao?aeoaciay i?anuuaiiinoue. ?onneee aecian eae iiaay iiaeaeue ai?ianoaa
ainoiaeee ia o?ii. Nia/aea i?inoi ii/iua eeoau – yoi auei oae iiaeii! –
caoai iieoaieiaeiay aiaaia, iaaiaeiyaoay yoe aan?eua caaaaeaiey,
iinoaiaiii auoanieeanue «ieaeaeaeaie».

An? aeey aiaaouo, a eae aea iu? Ii nouanoaothuae ni a?ai?i canoiy
noaia, iu aeieaeiu nicaeaoue naith – a?aaeaeaaioth enoaaeeoiaioo –
eio?ano?oeoo?o. Naie ianoa noiaeie, naith iaeaaeaeo, ii eioi?ie iu iiaee
au ioee/aoue naieo.

?yea-oieoi?ia oienaenoaeueia, oi anoue iiaeoiaeeo eae iaeue/eeai, oae
e aeaai/eai. Iia ia ian?o naen-auciaa, oioy a iae anoue ei?ioeea thaee e
aeanoyuea eeo/eee. Ioiioaiey iaaeaeo iieaie noieue oieiaeiu, /oi aii?o
caaiaeeoue ?a/ue i aeooiaiie e eioaeeaeooaeueiie ethaae. Ieeoi ia
i?aoaiaeoao ie ia eiai. « Anee y oaaa ioaeai/ioaeia, i?eoiaee a eeoa e
niio?e ia iaiy. Iiaeaoue oaioeaaaoue ?yaeii ni iiie – ia aieny, y ia
caia/o oaay!» Ana i?aauaatho a ia/oao, o eaaeaeiai naiy aioo?e/a?aiiay
?aaeueiinoue. Au iiaeaoa oi?aeiooue Iieieaiea O a ii?aeueiii iiaiecia,
ii yoi ia?aue oaa e iniciaieth ?aaeueiiai «y». Ie? ineoeee aac a?aieoe.

*eee-aoo ?oi – eiiiaoa aeey ioaeuoa. Caeanue oaiii, cao/eo oeoee
aiaeaio eee a? auni/anoai Oeoeia. Ia noaiu i?iaoee?oaony iicaeea. Ou
iiaeaoue iia?oceoueny a aeoaeiu iiaeniciaiey eee i?inoi caniooue ia
iyaeeo iiaeooeao, ?aca?inaiiuo ii oaeai /eee-aoo ?oi.

Naen O

Aeinoaoi/ii o?aae/ai. Ieeaeie e?aeinoe ioiioaiee, ia aa?ueoa
aacaoai e OA. O?aaeeoeeiiiua ia?u (iaeue/ee+aeaai/ea) no?aiyony
nio?aieoue nithc eae iiaeii aeieueoa. N aeaoueie ia oi?iiyony: anee iaa
i?ioanneiiaeu, ca/ai ia?aiaiyoue naay; anee aacaeaeueieee, naiei au
i?iei?ieoueny. A eii?iaece?iaaiiuo naiueyo ia i?ienoiaeeo ?acaeaeaiey
iaycaiiinoae, aeaiueia /anoi aeiieie?oao. Iaeiiiieua nithcu ano?a/athony
ia eaaeaeii oaao e nei?i noaioo iauaeaiiinoueth ia oieueei a Aia?eea, ii
e o ian. Aieueoia eiee/anoai aeo?iaeia e oaeai?ia?aii n aieoaui oeeiiii
aioiayo iauanoaaiiia niciaiea e oiio, /oi a/a?aoiea ecaie-«eca?auaioeu»
ie/ai ia ooaea e ia eo/oa aaoa?inaenoaeia ( ethaeae n iau/iuie
naen-cai?inaie). Yoi naycaii n eciaiaieai eieaeaea ioae/eiu. Iieiaeua
ethaee ia noa?athony auaeyaeaoue noia?naioeiai, a a?oaue (au? a/a?a
i?anoeaeiue) iaeee naeaeaoaeuenoaoao ia ia?aie/aiiinoe aai iaeaaeaoaey.
AEaineee ?iae aeaaiaieeo e iaaeiui iaeue/eeai, ecyuii iaeaoui e oi?ioi
iaoiouei. Yoi aica?auaiea aaeaioiie yiioe, iaeioi?ui i?aaenoaaeythuaany
eca?auaieai naenoaeueiuo ii?i.

?inney iiae ciaeii O

An?, /oi au i?i/eoaee auoa, ioiineony a ia?aoth i/a?aaeue e Aia?eea.
Eiaiii oai 60-a i?ioee iiae ciaiaiai oeiiecia, eiaiii oai iieiae?aeue
eiiaea eiiuey ca naen-naiaiaeo, naiaiaeo aeooa e niciaiey. Eiaiii oai
oeiie noaee naiiaeiaieueiuie yiie, i?aaeaa aieueiua eaeaaeu. Eiaiii
aia?eeaineea eeniaeee ia iiaoo i?inoeoue ?iaeeoaeyi yoo aieueooth
eiaeue.

O ian aeaei ianoieo ianeieueei eia/a. A ?innee oeiiianeia caneeuea
i?eoeinue ia caaieaaiea a?aaeiaaneiai no?iy (eiiaoe 70-o – ia/aei 80-o).
Aeaoe niaaoneeo oeiie nae/an oiaeyo a n?aaeiea eeannu oeieu. A cia/eo,
ia?eiae a?iaeaiey iieiaeuo oiia iaeeaeaaony eao /a?ac iyoue. Iu ia
iiaeai ii?aaeaeeoue, eaeoth eiaiii oeao iie iieaaeoo iai a 2000 aiaeo..

Iaoa iieieaiea iaaeioiaaaao: eiaaea iu auee aeaoueie, ac?ineua auee
neeoeii caiyou, /oiau aieeaoue a iaoe iunee e i?iaeaiu. E nae/an ia
iiieiatho. I?iianoue iaaeaeo iieieaieyie aeaenoaeoaeueii iai?aiaeieeia.
Ac?ineua (?iaeeaoeany a 30-o, 40-o, 50-o) i?iaeieaeatho aeeoue a nai?i
ie?a, anaeaiiay iiae?inoeia ioaeaeaia io ieo iai?iieoeaaiie noaiie.
Aeaaea anee i/aiue caoioyo, ia niiaoo aeoiaoue e /oanoaiaaoue eae
naaiaeiyoiea 20-eaoiea.

Inoa?ony nie?eoueny. AEeoue naiei, aeoiaoue naiae aieiaie.

Iaeaaeaiea

TOC \o “1-3” 1. Aaaaeaiea GOTOBUTTON _Toc406308777 PAGEREF
_Toc406308777 1

2. Enoi?ey aicieeiiaaiey oaoii-iocuee GOTOBUTTON _Toc406308778
PAGEREF _Toc406308778 2

2.1. Aiae ec iaoeiu GOTOBUTTON _Toc406308779 PAGEREF _Toc406308779
2

2.2. ?acaaoaeaiea noeeae GOTOBUTTON _Toc406308780 PAGEREF
_Toc406308780 9

3. E?aoeee eo?n enoi?ee House GOTOBUTTON _Toc406308781 PAGEREF
_Toc406308781 11

3.1. Iiioey?iaeoea iuia oa/aiey a oaoii-iocuea GOTOBUTTON
_Toc406308782 PAGEREF _Toc406308782 12

3.2. Aeoaaeo iieieaiey O GOTOBUTTON _Toc406308783 PAGEREF
_Toc406308783 15

3.3. Aaoae O GOTOBUTTON _Toc406308784 PAGEREF _Toc406308784 16

3.4. Aieacie O GOTOBUTTON _Toc406308785 PAGEREF _Toc406308785 17

3.4.1. Yenoa-NE, yenoa-II GOTOBUTTON _Toc406308786 PAGEREF
_Toc406308786 17

3.4.2. Caaiaee a iiaeaaeu GOTOBUTTON _Toc406308787 PAGEREF
_Toc406308787 19

3.4.3. Yeaiaio Iiaeu GOTOBUTTON _Toc406308788 PAGEREF _Toc406308788
19

3.4.4. No comment GOTOBUTTON _Toc406308789 PAGEREF _Toc406308789
21

3.4.5. Oniieie na?ioiiei GOTOBUTTON _Toc406308790 PAGEREF
_Toc406308790 23

3.4.6. Ia oa?ye aaeeoaeueiinoue GOTOBUTTON _Toc406308791 PAGEREF
_Toc406308791 24

3.4.7. Ii/iie aeoaaeo GOTOBUTTON _Toc406308792 PAGEREF
_Toc406308792 26

3.4.8. Naen O GOTOBUTTON _Toc406308793 PAGEREF _Toc406308793 30

4. ?inney iiae ciaeii O GOTOBUTTON _Toc406308794 PAGEREF
_Toc406308794 31

PAGE 34

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